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Fireplace Modern Ideas 2019

Charmglow Fireplace Wood Burning Insert Vs Fireplace

Posted at January 2, 2019 1:36 by Bethanie in Fireplace Modern
Charmglow Fireplace
Wood Burning Insert Vs Fireplace

Charmglow Fireplace
-Both decorative and functional, cozy and statement-making, a fire is the heart of any dwelling. And whether you prefer it or not, your fire is the point of interest of any space that it occupies. For that purpose, it’s essential to give your fire the identical consideration that it attracts. The look of your hearth can elevate–or downgrade–a space, so making it lovely is key.

Whether you’re looking to replace an older structure or construct your modern dream house, these 25 gorgeous modern fireplaces are certain to spark design inspiration.

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20 Fresh Charmglow Fireplace from Charmglow Fireplace ,

The “barely there” hearth on this Beverly Hills main bedroom is tucked away discreetly in the nook, that includes textured, charcoal-colored stones. The trendy space contains a headboard and canopy in a Romo velvet, and a throw by Bunny Williams Dwelling. The vintage sheepskin chair is by Peter Hvidt, and the paintings to the appropriate of the bed is by Joel Shapiro.

Within the residence workplace of this Lower East Facet condo, a wall of firewood and uncovered brick helps temper the modernness and cozy up the economic area.

In Entertainment Tonight host Keltie Knight’s master bedroom, an original fire is given a contemporary facelift with simple white marble and a matte black mantle. Whereas the room boasts a modern design, the warmth of the fireplace adds a layer of coziness.

In this open idea home designed by Soler Structure and Design, a modern two-way fireplace is given a reflective façade, because of metallic bricks that mirror the abundant natural mild in the space.

A modern house is given a sultry edge with a flooring to ceiling fire in a glossy black marble. The direct-vent design creates shorter flames, enhancing the modern appeal.

In a New York City residence, the pair of 1960s chairs from John Salibello is in a Manuel Canovas material, the custom sofas are lined in Holland & Sherry fabrics, and the Karl Springer cocktail table (foreground) is from Mantiques Modern; the 1960s chrome steel chairs and cube are by Maria Pergay, the desk lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Apartment, and Elizabeth Peyton.

In the library of the identical Manhattan residence, the classic Ward Bennett swivel chair in a Rubelli cotton-silk mix is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen cloth; the marble-and-brass cocktail desk is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.

In a Chicago Artwork Deco house, the master bedroom’s bed in a Mark Alexander velvet, the bench in a Dune leather-based, and the membership chair in a Stroheim material are all custom; the 1950s Tommi Parzinger chest (subsequent to the mattress), Ico Parisi 1970s cabinet, and vintage Jules Leleu aspect desk are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.

In a Montana ski home, the blackened-steel mantel in the master bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the hearth tools are from Kaufmann Mercantile.

Within the dwelling area of a barn on Amanda Seyfried’s Catskills property, an original wood-burning range is backed by a wall of custom concrete tiles; the chair is classic.

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In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail table is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.

In a London dwelling, the living room’s custom couch is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is covered in an Etro cloth, the cast-terrazzo stools are by Maddux Artistic, the mirror is by Marianna Kennedy, and the paintings flanking it are by Peter Lanyon.

In a West Village house, the eating table by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.

On the terrace of a Pacific Palisades dwelling, the sofas and cocktail table are by Hyperlink Outside, and the sunshine fixture is from the 1950s.

The living room chairs, cocktail desk, and sofa are all by Casamidy; the art work over the couch, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Theory of Particular Relativity, is by Jose Dávila, and the chandelier set up is by Cerith Wyn Evans; a work by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.

In a New Jersey mansion, framed 19th-century English pressed plants in a sitting area; the wallcovering is by Phillip Jeffries.

In the lounge of fashion designer Andrew Gn’s Paris residence, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre fabric, face armchairs by Emiel Veranneman and a cocktail desk by Fredrik Schriever-Abeln, each from the 1960s; the custom-made flooring lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Art Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.

Within the family room of a California residence, the George Sher lock sofa is upholstered in a Raoul Textiles linen, the ottoman, coated in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market find, and the antique bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, grasp above the fireside, the partitions are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.

In a Tahoe residence, the mirrored side desk in the dwelling space is by Notre Monde, and the hearth encompass is stacked flagstone.

In the lounge of Meredith Melling and Zach Iscol’s retreat on Martha’s Vineyard, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the sofa by Restoration Hardware is covered in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier cloth, and the walnut cocktail table and stool are custom; the rug is a vintage Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Tremendous White.

The bed in the master bedroom of a London townhouse is wearing a custom quilt constructed from a Dedar fabric, the letter-shaped stools are from Andrew Martin, and the walls are sheathed in a Jim Thompson silk with hand-sewn red silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the mattress, which is inscribed with Buddhist phrases, was bought in Singapore.

In a Manhattan household condominium, front room chairs are upholstered in indestructible white leather-based and material of woven metal threads.

In an Ibiza residence, local-limestone floors covered in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a country tone in the lounge. Customized sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié material; the Oeil cocktail table by Pierre Chapo is vintage, the lacquered-coral sculpture is by Maurizio Epifani, and the portray over the mantel is by Alex Katz.

In a mid-century Palm Springs house, Louie, a French bulldog, relaxes in front of a custom cocktail table by Joseph Jeup. The fireplacewall is unique.

In designer Christian Astuguevieille’s French house, Astuguevieille designed the Afribaton chair, marble-topped desk, hemp pedestal, Mira mirror, and sconce prototypes in the meeting room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue fabric and bulrushes sit atop the 19th-century marble hearth.

A fireplace needs to be cozy, so that you may be inclined to stay away from a modern design for fear it’s going to look too chilly and stark—however that’s a critical false impression. Sure, it might probably positively read that, and if that is what you are going for, more energy to you, but you do not have to sacrifice homey vibes within the identify of unpolluted strains. Let these fireplaces prove to you that modern is the transfer.

Gallery of Charmglow Fireplace Wood Burning Insert Vs Fireplace

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