Tv Above Fireplace Where To Put Cable Box
-Both decorative and practical, cozy and statement-making, a fire is the center of any house. And whether or not you like it or not, your hearth is the focal point of any house that it occupies. For that purpose, it’s vital to offer your fire the same attention that it attracts. The look of your fireplace can elevate–or downgrade–an area, so making it stunning is vital.
Whether you’re seeking to replace an older structure or construct your modern dream house, these 25 gorgeous modern fireplaces are sure to spark design inspiration.
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The “barely there” fireplace in this Beverly Hills master suite is tucked away discreetly in the nook, featuring textured, charcoal-colored stones. The modern space contains a headboard and canopy in a Romo velvet, and a throw by Bunny Williams Residence. The vintage sheepskin chair is by Peter Hvidt, and the artwork to the proper of the mattress is by Joel Shapiro.
In the house office of this Decrease East Aspect rental, a wall of firewood and exposed brick helps mood the modernness and comfortable up the economic area.
A POLISHED MARBLE FACELIFT
In Entertainment Tonight host Keltie Knight’s master suite, an authentic hearth is given a modern facelift with easy white marble and a matte black mantle. Whereas the room boasts a modern design, the warmth of the fireplace adds a layer of coziness.
On this open idea house designed by Soler Structure and Design, a modern two-way fire is given a reflective façade, because of metallic bricks that reflect the plentiful pure mild within the space.
STATEMENT BLACK MARBLE
A modern area is given a sultry edge with a flooring to ceiling fire in a shiny black marble. The direct-vent design creates shorter flames, enhancing the modern enchantment.
In a New York Metropolis apartment, the pair of 1960s chairs from John Salibello is in a Manuel Canovas material, the custom sofas are coated in Holland & Sherry materials, and the Karl Springer cocktail desk (foreground) is from Mantiques Fashionable; the 1960s stainless-steel chairs and cube are by Maria Pergay, the table lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Rental, and Elizabeth Peyton.
In the library of the same Manhattan dwelling, the vintage Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom sofa is in a Larsen fabric; the marble-and-brass cocktail desk is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.
In a Chicago Artwork Deco apartment, the main bedroom’s mattress in a Mark Alexander velvet, the bench in a Dune leather, and the membership chair in a Stroheim cloth are all custom; the 1950s Tommi Parzinger chest (subsequent to the mattress), Ico Parisi 1970s cabinet, and vintage Jules Leleu aspect table are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.
In a Montana ski house, the blackened-steel mantel in the master suite is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the fireplace instruments are from Kaufmann Mercantile.
SLEEK WOOD-BURNING STOVE FIREPLACE
In the dwelling area of a barn on Amanda Seyfried’s Catskills property, an authentic wood-burning stove is backed by a wall of custom concrete tiles; the chair is classic.
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MINIMAL OUTDOOR FIREPLACE
In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail desk is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.
MATCHING MARBLE FIREPLACE
In a London home, the living room’s custom sofa is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is roofed in an Etro material, the cast-terrazzo stools are by Maddux Inventive, the mirror is by Marianna Kennedy, and the paintings flanking it are by Peter Lanyon.
BLACK AND GOLD FIREPLACE
In a West Village residence, the eating table by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.
INSET OUTDOOR FIREPLACE
On the terrace of a Pacific Palisades residence, the sofas and cocktail desk are by Hyperlink Outside, and the sunshine fixture is from the 1950s.
The living room chairs, cocktail desk, and couch are all by Casamidy; the art work over the couch, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Concept of Special Relativity, is by Jose Dávila, and the chandelier set up is by Cerith Wyn Evans; a work by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.
In a New Jersey mansion, framed 19th-century English pressed plants in a sitting space; the wallcovering is by Phillip Jeffries.
SIMPLE MONOCHROMATIC FIREPLACE
In the lounge of dressmaker Andrew Gn’s Paris condominium, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre cloth, face armchairs by Emiel Veranneman and a cocktail desk by Fredrik Schriever-Abeln, both from the 1960s; the custom-made ground lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Artwork Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.
In the family room of a California home, the George Sher lock sofa is upholstered in a Raoul Textiles linen, the ottoman, covered in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market find, and the vintage bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, hang above the fireplace, the walls are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.
In a Tahoe dwelling, the mirrored side table in the living area is by Notre Monde, and the fireside encompass is stacked flagstone.
In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Winery, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the couch by Restoration Hardware is roofed in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier material, and the walnut cocktail desk and stool are custom; the rug is a vintage Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Tremendous White.
NARROW COVERED FIREPLACE
The mattress in the master bedroom of a London townhouse is wearing a custom duvet made out of a Dedar fabric, the letter-shaped stools are from Andrew Martin, and the partitions are sheathed in a Jim Thompson silk with hand-sewn purple silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the bed, which is inscribed with Buddhist phrases, was purchased in Singapore.
SLEEK WHITE FIREPLACE
In a Manhattan household condominium, living room chairs are upholstered in indestructible white leather-based and cloth of woven steel threads.
PETITE COASTAL FIREPLACE
In an Ibiza dwelling, local-limestone flooring coated in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a country tone in the lounge. Customized sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié cloth; the Oeil cocktail desk by Pierre Chapo is vintage, the lacquered-coral sculpture is by Maurizio Epifani, and the painting over the mantel is by Alex Katz.
MID-CENTURY MODERN FIREPLACE
In a mid-century Palm Springs house, Louie, a French bulldog, relaxes in entrance of a custom cocktail desk by Joseph Jeup. The fireplacewall is original.
REINTERPRETED ANTIQUE FIREPLACE
In designer Christian Astuguevieille’s French house, Astuguevieille designed the Afribaton chair, marble-topped desk, hemp pedestal, Mira mirror, and sconce prototypes within the assembly room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue cloth and bulrushes sit atop the 19th-century marble hearth.
A fire needs to be cozy, so that you may be inclined to keep away from a modern design for fear it’s going to look too cold and stark—but that’s a serious false impression. Sure, it could possibly definitely learn that, and if that is what you are going for, more energy to you, but you don’t have to sacrifice homey vibes within the title of fresh traces. Let these fireplaces show to you that fashionable is the transfer.