Fireplace Showroom Chimney Free Electric Fireplace Reviews

Fireplace Showroom
-Both decorative and functional, cozy and statement-making, a fireplace is the heart of any dwelling. And whether or not you like it or not, your fireplace is the focus of any house that it occupies. For that motive, it’s essential to give your fireplace the same consideration that it attracts. The look of your fire can elevate–or downgrade–an area, so making it lovely is essential.

Whether you are seeking to replace an older construction or build your contemporary dream dwelling, these 25 attractive fashionable fireplaces are sure to spark design inspiration.

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The “barely there” fireplace on this Beverly Hills master suite is tucked away discreetly within the corner, featuring textured, charcoal-colored stones. The fashionable space incorporates a headboard and canopy in a Romo velvet, and a throw by Bunny Williams House. The vintage sheepskin chair is by Peter Hvidt, and the art work to the precise of the mattress is by Joel Shapiro.

Within the residence office of this Lower East Facet condo, a wall of firewood and exposed brick helps mood the modernness and comfortable up the economic house.

In Entertainment Tonight host Keltie Knight’s main bedroom, an unique fire is given a modern facelift with easy white marble and a matte black mantle. While the room boasts a modern design, the warmth of the fireplace provides a layer of coziness.

In this open concept house designed by Soler Structure and Design, a modern two-way fire is given a reflective façade, thanks to metallic bricks that replicate the plentiful natural light within the house.

A modern area is given a sultry edge with a flooring to ceiling fire in a shiny black marble. The direct-vent design creates shorter flames, enhancing the up to date enchantment.

In a New York City residence, the pair of 1960s chairs from John Salibello is in a Manuel Canovas fabric, the custom sofas are lined in Holland & Sherry fabrics, and the Karl Springer cocktail table (foreground) is from Mantiques Modern; the 1960s stainless steel chairs and cube are by Maria Pergay, the table lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Condominium, and Elizabeth Peyton.

Within the library of the same Manhattan dwelling, the vintage Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom sofa is in a Larsen material; the marble-and-brass cocktail desk is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.

In a Chicago Artwork Deco house, the master bedroom’s mattress in a Mark Alexander velvet, the bench in a Dune leather-based, and the club chair in a Stroheim fabric are all custom; the 1950s Tommi Parzinger chest (subsequent to the bed), Ico Parisi 1970s cupboard, and vintage Jules Leleu aspect desk are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.

In a Montana ski house, the blackened-steel mantel in the main bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the hearth instruments are from Kaufmann Mercantile.

In the dwelling area of a barn on Amanda Seyfried’s Catskills property, an authentic wood-burning stove is backed by a wall of custom concrete tiles; the chair is classic.

FDC Stonehenge Linear Limestone Fireplace £829 00 First Choice Fireplaces
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In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail desk is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.

In a London residence, the living room’s custom sofa is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is roofed in an Etro cloth, the cast-terrazzo stools are by Maddux Inventive, the mirror is by Marianna Kennedy, and the work flanking it are by Peter Lanyon.

In a West Village apartment, the dining table by Jerôme Abel Seguin is from Ralph Pucci, the vintage chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.

On the terrace of a Pacific Palisades home, the sofas and cocktail table are by Link Outside, and the light fixture is from the 1950s.

The lounge chairs, cocktail desk, and sofa are all by Casamidy; the art work over the sofa, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Theory of Special Relativity, is by Jose Dávila, and the chandelier installation is by Cerith Wyn Evans; a piece by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.

In a New Jersey mansion, framed 19th-century English pressed vegetation in a sitting area; the wallcovering is by Phillip Jeffries.

In the living room of fashion designer Andrew Gn’s Paris condo, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre material, face armchairs by Emiel Veranneman and a cocktail desk by Fredrik Schriever-Abeln, each from the 1960s; the custom-made ground lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Art Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.

In the household room of a California residence, the George Sher lock sofa is upholstered in a Raoul Textiles linen, the ottoman, lined in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market discover, and the vintage bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, amongst others, hang above the fireside, the partitions are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.

In a Tahoe residence, the mirrored aspect desk within the residing area is by Notre Monde, and the hearth encompass is stacked flagstone.

In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Winery, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the couch by Restoration Hardware is roofed in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier material, and the walnut cocktail table and stool are custom; the rug is a vintage Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Super White.

The bed in the master bedroom of a London townhouse is wearing a custom cover created from a Dedar material, the letter-shaped stools are from Andrew Martin, and the partitions are sheathed in a Jim Thompson silk with hand-sewn purple silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the bed, which is inscribed with Buddhist phrases, was bought in Singapore.

In a Manhattan household house, living room chairs are upholstered in indestructible white leather-based and cloth of woven steel threads.

In an Ibiza residence, local-limestone flooring lined in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a country tone in the lounge. Custom sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié fabric; the Oeil cocktail desk by Pierre Chapo is classic, the lacquered-coral sculpture is by Maurizio Epifani, and the painting over the mantel is by Alex Katz.

In a mid-century Palm Springs house, Louie, a French bulldog, relaxes in entrance of a custom cocktail desk by Joseph Jeup. The fireplacewall is original.

In designer Christian Astuguevieille’s French dwelling, Astuguevieille designed the Afribaton chair, marble-topped desk, hemp pedestal, Mira mirror, and sconce prototypes within the meeting room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue material and bulrushes sit atop the 19th-century marble fire.

A fireplace must be cozy, so that you is perhaps inclined to stay away from a modern design for concern it’ll look too cold and stark—but that’s a serious misconception. Sure, it could positively learn that, and if that’s what you’re going for, extra energy to you, however you don’t have to sacrifice homey vibes within the identify of clean strains. Let these fireplaces show to you that modern is the move.

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