Fireplace Outside Vent Covers
-Each decorative and useful, cozy and statement-making, a fireplace is the center of any house. And whether you like it or not, your hearth is the focus of any space that it occupies. For that reason, it’s important to provide your hearth the same consideration that it attracts. The look of your fireplace can elevate–or downgrade–an area, so making it stunning is key.
Whether or not you’re seeking to update an older structure or construct your up to date dream residence, these 25 gorgeous modern fireplaces are positive to spark design inspiration.
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The “barely there” fire in this Beverly Hills master suite is tucked away discreetly in the corner, that includes textured, charcoal-colored stones. The fashionable house encompasses a headboard and cover in a Romo velvet, and a throw by Bunny Williams Dwelling. The classic sheepskin chair is by Peter Hvidt, and the paintings to the correct of the mattress is by Joel Shapiro.
Within the dwelling workplace of this Lower East Aspect condominium, a wall of firewood and uncovered brick helps mood the modernness and comfortable up the commercial area.
A POLISHED MARBLE FACELIFT
In Entertainment Tonight host Keltie Knight’s master bedroom, an authentic hearth is given a contemporary facelift with easy white marble and a matte black mantle. Whereas the room boasts a modern design, the heat of the fireplace adds a layer of coziness.
In this open idea residence designed by Soler Structure and Design, a contemporary two-way fireplace is given a reflective façade, due to metallic bricks that reflect the ample natural light in the space.
STATEMENT BLACK MARBLE
A contemporary space is given a sultry edge with a flooring to ceiling hearth in a shiny black marble. The direct-vent design creates shorter flames, enhancing the modern appeal.
In a New York City condominium, the pair of 1960s chairs from John Salibello is in a Manuel Canovas cloth, the custom sofas are coated in Holland & Sherry fabrics, and the Karl Springer cocktail table (foreground) is from Mantiques Modern; the 1960s stainless-steel chairs and dice are by Maria Pergay, the desk lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton mix; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Apartment, and Elizabeth Peyton.
Within the library of the identical Manhattan house, the classic Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen material; the marble-and-brass cocktail desk is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.
In a Chicago Artwork Deco house, the main bedroom’s mattress in a Mark Alexander velvet, the bench in a Dune leather, and the membership chair in a Stroheim material are all custom; the 1950s Tommi Parzinger chest (next to the mattress), Ico Parisi 1970s cupboard, and vintage Jules Leleu side desk are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.
In a Montana ski home, the blackened-steel mantel in the main bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the hearth tools are from Kaufmann Mercantile.
SLEEK WOOD-BURNING STOVE FIREPLACE
Within the dwelling space of a barn on Amanda Seyfried’s Catskills property, an original wood-burning range is backed by a wall of custom concrete tiles; the chair is classic.
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MINIMAL OUTDOOR FIREPLACE
In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail desk is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.
MATCHING MARBLE FIREPLACE
In a London residence, the living room’s custom sofa is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is roofed in an Etro material, the cast-terrazzo stools are by Maddux Creative, the mirror is by Marianna Kennedy, and the work flanking it are by Peter Lanyon.
BLACK AND GOLD FIREPLACE
In a West Village house, the dining desk by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.
INSET OUTDOOR FIREPLACE
On the terrace of a Pacific Palisades house, the sofas and cocktail desk are by Hyperlink Outdoor, and the sunshine fixture is from the 1950s.
The lounge chairs, cocktail table, and couch are all by Casamidy; the artwork over the sofa, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Principle of Particular Relativity, is by Jose Dávila, and the chandelier set up is by Cerith Wyn Evans; a piece by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.
In a New Jersey mansion, framed 19th-century English pressed plants in a sitting area; the wallcovering is by Phillip Jeffries.
SIMPLE MONOCHROMATIC FIREPLACE
In the living room of fashion designer Andrew Gn’s Paris apartment, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre fabric, face armchairs by Emiel Veranneman and a cocktail desk by Fredrik Schriever-Abeln, each from the 1960s; the custom-made ground lamps are by Didier Bazille, a portray by Philippe Garouste de Clauzade hangs above an Art Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.
In the family room of a California house, the George Sher lock sofa is upholstered in a Raoul Textiles linen, the ottoman, lined in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market discover, and the antique bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, hold above the fireside, the partitions are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.
In a Tahoe residence, the mirrored facet desk within the residing area is by Notre Monde, and the fireside encompass is stacked flagstone.
In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Vineyard, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the couch by Restoration Hardware is covered in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier fabric, and the walnut cocktail table and stool are custom; the rug is a classic Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Tremendous White.
NARROW COVERED FIREPLACE
The bed in the master suite of a London townhouse is dressed in a custom cover made from a Dedar cloth, the letter-shaped stools are from Andrew Martin, and the walls are sheathed in a Jim Thompson silk with hand-sewn red silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the bed, which is inscribed with Buddhist phrases, was purchased in Singapore.
SLEEK WHITE FIREPLACE
In a Manhattan household condominium, front room chairs are upholstered in indestructible white leather-based and cloth of woven metallic threads.
PETITE COASTAL FIREPLACE
In an Ibiza dwelling, local-limestone flooring coated in custom Spanish esparto rugs from Antonia Molina, partitions in a sandy lime plaster, and a wood-beam ceiling set a rustic tone in the lounge. Custom sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié fabric; the Oeil cocktail table by Pierre Chapo is classic, the lacquered-coral sculpture is by Maurizio Epifani, and the painting over the mantel is by Alex Katz.
MID-CENTURY MODERN FIREPLACE
In a mid-century Palm Springs home, Louie, a French bulldog, relaxes in front of a custom cocktail desk by Joseph Jeup. The fireplacewall is unique.
REINTERPRETED ANTIQUE FIREPLACE
In designer Christian Astuguevieille’s French house, Astuguevieille designed the Afribaton chair, marble-topped table, hemp pedestal, Mira mirror, and sconce prototypes within the meeting room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue material and bulrushes sit atop the 19th-century marble fireplace.
A hearth needs to be cozy, so that you could be inclined to stay away from a modern design for concern it’s going to look too cold and stark—however that is a serious false impression. Certain, it might definitely read that, and if that’s what you’re going for, more power to you, but you don’t have to sacrifice homey vibes within the name of fresh traces. Let these fireplaces show to you that fashionable is the transfer.