Mexican Style Fireplaces How to Make A Brick Fireplace Look Modern

Mexican Style Fireplaces
-Both decorative and practical, cozy and statement-making, a fire is the center of any house. And whether you prefer it or not, your hearth is the focus of any area that it occupies. For that motive, it’s vital to provide your hearth the same consideration that it attracts. The look of your fireplace can elevate–or downgrade–an area, so making it lovely is key.

Whether or not you are looking to replace an older construction or construct your up to date dream house, these 25 beautiful fashionable fireplaces are sure to spark design inspiration.

Image detail for STUDY IN A NEW MEXICO STYLE ADOBE HOME 1 day I d love to have a home like this Santa Fe would be so cool
28 Stunning New Mexican Decor Ideas You Can Totally Copy from Mexican Style Fireplaces ,

The “barely there” fireplace in this Beverly Hills master bedroom is tucked away discreetly in the corner, featuring textured, charcoal-colored stones. The trendy house contains a headboard and canopy in a Romo velvet, and a throw by Bunny Williams Dwelling. The vintage sheepskin chair is by Peter Hvidt, and the paintings to the correct of the mattress is by Joel Shapiro.

Within the house workplace of this Lower East Facet condo, a wall of firewood and uncovered brick helps temper the modernness and comfy up the economic house.

In Entertainment Tonight host Keltie Knight’s master bedroom, an original fire is given a modern facelift with simple white marble and a matte black mantle. While the room boasts a modern design, the heat of the hearth adds a layer of coziness.

On this open idea home designed by Soler Structure and Design, a contemporary two-way fire is given a reflective façade, due to metallic bricks that replicate the ample pure gentle within the space.

A modern area is given a sultry edge with a floor to ceiling hearth in a glossy black marble. The direct-vent design creates shorter flames, enhancing the modern appeal.

In a New York City condominium, the pair of 1960s chairs from John Salibello is in a Manuel Canovas material, the custom sofas are lined in Holland & Sherry materials, and the Karl Springer cocktail desk (foreground) is from Mantiques Fashionable; the 1960s chrome steel chairs and dice are by Maria Pergay, the table lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Condo, and Elizabeth Peyton.

Within the library of the identical Manhattan dwelling, the classic Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen fabric; the marble-and-brass cocktail desk is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.

In a Chicago Artwork Deco residence, the main bedroom’s mattress in a Mark Alexander velvet, the bench in a Dune leather-based, and the membership chair in a Stroheim material are all custom; the 1950s Tommi Parzinger chest (next to the bed), Ico Parisi 1970s cupboard, and classic Jules Leleu side table are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.

In a Montana ski house, the blackened-steel mantel in the master suite is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the fireplace instruments are from Kaufmann Mercantile.

Within the dwelling space of a barn on Amanda Seyfried’s Catskills property, an original wood-burning stove is backed by a wall of custom concrete tiles; the chair is vintage.

Mexicana Fireplace Pinterest from Mexican Style Fireplaces ,

In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail table is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.

In a London dwelling, the lounge’s custom couch is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is covered in an Etro cloth, the cast-terrazzo stools are by Maddux Creative, the mirror is by Marianna Kennedy, and the work flanking it are by Peter Lanyon.

In a West Village condominium, the dining table by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.

On the terrace of a Pacific Palisades house, the sofas and cocktail table are by Link Outdoor, and the sunshine fixture is from the 1950s.

The lounge chairs, cocktail desk, and couch are all by Casamidy; the art work over the sofa, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Principle of Special Relativity, is by Jose Dávila, and the chandelier set up is by Cerith Wyn Evans; a piece by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.

In a New Jersey mansion, framed 19th-century English pressed plants in a sitting area; the wallcovering is by Phillip Jeffries.

In the lounge of clothier Andrew Gn’s Paris condo, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre material, face armchairs by Emiel Veranneman and a cocktail table by Fredrik Schriever-Abeln, both from the 1960s; the custom-made ground lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Art Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.

In the family room of a California residence, the George Sher lock sofa is upholstered in a Raoul Textiles linen, the ottoman, covered in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market find, and the antique bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, amongst others, hold above the fireplace, the walls are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.

In a Tahoe residence, the mirrored side desk within the dwelling space is by Notre Monde, and the fireplace surround is stacked flagstone.

In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Vineyard, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the sofa by Restoration Hardware is covered in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier cloth, and the walnut cocktail table and stool are custom; the rug is a classic Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Super White.

The mattress in the main bedroom of a London townhouse is wearing a custom quilt constructed from a Dedar cloth, the letter-shaped stools are from Andrew Martin, and the partitions are sheathed in a Jim Thompson silk with hand-sewn purple silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the mattress, which is inscribed with Buddhist phrases, was purchased in Singapore.

In a Manhattan family house, front room chairs are upholstered in indestructible white leather and cloth of woven metal threads.

In an Ibiza home, local-limestone flooring covered in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a rustic tone in the lounge. Customized sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié material; the Oeil cocktail table by Pierre Chapo is classic, the lacquered-coral sculpture is by Maurizio Epifani, and the painting over the mantel is by Alex Katz.

In a mid-century Palm Springs house, Louie, a French bulldog, relaxes in front of a custom cocktail table by Joseph Jeup. The fireplacewall is unique.

In designer Christian Astuguevieille’s French house, Astuguevieille designed the Afribaton chair, marble-topped table, hemp pedestal, Mira mirror, and sconce prototypes in the meeting room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue material and bulrushes sit atop the 19th-century marble fireplace.

A hearth ought to be cozy, so that you might be inclined to keep away from a modern design for fear it’s going to look too cold and stark—however that’s a serious false impression. Positive, it will probably definitely read that, and if that’s what you’re going for, extra power to you, but you do not have to sacrifice homey vibes within the name of unpolluted strains. Let these fireplaces show to you that modern is the move.

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