Install Gas Fireplace In Existing Home Best Way to Start A Fire In Fireplace

Install Gas Fireplace In Existing Home
-Both ornamental and useful, cozy and statement-making, a fire is the heart of any home. And whether you like it or not, your fireplace is the focus of any house that it occupies. For that reason, it’s necessary to present your hearth the identical attention that it attracts. The look of your fire can elevate–or downgrade–a space, so making it beautiful is key.

Whether you’re looking to update an older structure or construct your up to date dream house, these 25 beautiful trendy fireplaces are sure to spark design inspiration.

How to Convert a Gas Fireplace to Wood Burning
How to Convert a Gas Fireplace to Wood Burning from Install Gas Fireplace In Existing Home ,

The “barely there” hearth in this Beverly Hills main bedroom is tucked away discreetly within the corner, featuring textured, charcoal-colored stones. The trendy space contains a headboard and cover in a Romo velvet, and a throw by Bunny Williams Residence. The vintage sheepskin chair is by Peter Hvidt, and the art work to the fitting of the mattress is by Joel Shapiro.

In the dwelling office of this Lower East Facet condominium, a wall of firewood and uncovered brick helps temper the modernness and cozy up the industrial house.

In Leisure Tonight host Keltie Knight’s master suite, an original hearth is given a modern facelift with easy white marble and a matte black mantle. Whereas the room boasts a modern design, the warmth of the fireplace adds a layer of coziness.

On this open concept dwelling designed by Soler Structure and Design, a modern two-way fire is given a reflective façade, because of metallic bricks that mirror the plentiful pure mild within the space.

A contemporary space is given a sultry edge with a flooring to ceiling fire in a glossy black marble. The direct-vent design creates shorter flames, enhancing the modern attraction.

In a New York Metropolis apartment, the pair of 1960s chairs from John Salibello is in a Manuel Canovas material, the custom sofas are covered in Holland & Sherry materials, and the Karl Springer cocktail desk (foreground) is from Mantiques Modern; the 1960s stainless steel chairs and dice are by Maria Pergay, the desk lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Apartment, and Elizabeth Peyton.

In the library of the identical Manhattan home, the classic Ward Bennett swivel chair in a Rubelli cotton-silk mix is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom sofa is in a Larsen material; the marble-and-brass cocktail table is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.

In a Chicago Art Deco condo, the master bedroom’s mattress in a Mark Alexander velvet, the bench in a Dune leather, and the membership chair in a Stroheim fabric are all custom; the 1950s Tommi Parzinger chest (subsequent to the mattress), Ico Parisi 1970s cabinet, and vintage Jules Leleu side table are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.

In a Montana ski house, the blackened-steel mantel in the master bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather shearling, and the fireplace tools are from Kaufmann Mercantile.

In the residing area of a barn on Amanda Seyfried’s Catskills property, an unique wood-burning stove is backed by a wall of custom concrete tiles; the chair is vintage.

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In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail table is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.

In a London dwelling, the lounge’s custom sofa is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is roofed in an Etro cloth, the cast-terrazzo stools are by Maddux Artistic, the mirror is by Marianna Kennedy, and the work flanking it are by Peter Lanyon.

In a West Village house, the eating desk by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.

On the terrace of a Pacific Palisades house, the sofas and cocktail table are by Hyperlink Outside, and the light fixture is from the 1950s.

The living room chairs, cocktail desk, and couch are all by Casamidy; the artwork over the couch, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Theory of Special Relativity, is by Jose Dávila, and the chandelier installation is by Cerith Wyn Evans; a work by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.

In a New Jersey mansion, framed 19th-century English pressed plants in a sitting area; the wallcovering is by Phillip Jeffries.

In the living room of fashion designer Andrew Gn’s Paris apartment, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre fabric, face armchairs by Emiel Veranneman and a cocktail desk by Fredrik Schriever-Abeln, each from the 1960s; the custom-made floor lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Art Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.

In the household room of a California residence, the George Sher lock sofa is upholstered in a Raoul Textiles linen, the ottoman, covered in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market find, and the vintage bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, hang above the hearth, the walls are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.

In a Tahoe residence, the mirrored side desk within the living area is by Notre Monde, and the hearth encompass is stacked flagstone.

In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Winery, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the sofa by Restoration Hardware is roofed in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier material, and the walnut cocktail desk and stool are custom; the rug is a classic Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Tremendous White.

The mattress in the master bedroom of a London townhouse is wearing a custom cover constructed from a Dedar fabric, the letter-shaped stools are from Andrew Martin, and the walls are sheathed in a Jim Thompson silk with hand-sewn red silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the bed, which is inscribed with Buddhist phrases, was purchased in Singapore.

In a Manhattan family condo, living room chairs are upholstered in indestructible white leather-based and material of woven metallic threads.

In an Ibiza home, local-limestone floors coated in custom Spanish esparto rugs from Antonia Molina, partitions in a sandy lime plaster, and a wood-beam ceiling set a rustic tone in the lounge. Customized sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié material; the Oeil cocktail desk by Pierre Chapo is classic, the lacquered-coral sculpture is by Maurizio Epifani, and the painting over the mantel is by Alex Katz.

In a mid-century Palm Springs home, Louie, a French bulldog, relaxes in front of a custom cocktail desk by Joseph Jeup. The fireplacewall is authentic.

In designer Christian Astuguevieille’s French residence, Astuguevieille designed the Afribaton chair, marble-topped table, hemp pedestal, Mira mirror, and sconce prototypes in the meeting room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue material and bulrushes sit atop the 19th-century marble fireplace.

A fireplace ought to be cozy, so you is likely to be inclined to stay away from a contemporary design for worry it’s going to look too chilly and stark—however that’s a serious misconception. Positive, it will probably positively read that, and if that’s what you are going for, more energy to you, but you don’t have to sacrifice homey vibes in the name of unpolluted strains. Let these fireplaces show to you that trendy is the move.

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