Fireplace Chimney Cleaning How to Install A Wood Burning Fireplace Insert

Fireplace Chimney Cleaning
-Each decorative and useful, cozy and statement-making, a hearth is the center of any house. And whether or not you prefer it or not, your hearth is the focal point of any space that it occupies. For that motive, it’s vital to offer your fireplace the same consideration that it attracts. The look of your hearth can elevate–or downgrade–a space, so making it stunning is key.

Whether you’re seeking to update an older structure or build your modern dream dwelling, these 25 beautiful trendy fireplaces are sure to spark design inspiration.

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The “barely there” hearth in this Beverly Hills master suite is tucked away discreetly within the nook, featuring textured, charcoal-colored stones. The trendy house features a headboard and cover in a Romo velvet, and a throw by Bunny Williams Dwelling. The classic sheepskin chair is by Peter Hvidt, and the artwork to the right of the bed is by Joel Shapiro.

In the home workplace of this Lower East Facet apartment, a wall of firewood and exposed brick helps mood the modernness and comfortable up the commercial area.

In Leisure Tonight host Keltie Knight’s master bedroom, an authentic fire is given a modern facelift with easy white marble and a matte black mantle. While the room boasts a modern design, the heat of the fireside adds a layer of coziness.

In this open idea house designed by Soler Structure and Design, a modern two-way fire is given a reflective façade, due to metallic bricks that reflect the abundant pure mild in the space.

A modern space is given a sultry edge with a floor to ceiling fire in a glossy black marble. The direct-vent design creates shorter flames, enhancing the contemporary attraction.

In a New York City house, the pair of 1960s chairs from John Salibello is in a Manuel Canovas cloth, the custom sofas are lined in Holland & Sherry fabrics, and the Karl Springer cocktail table (foreground) is from Mantiques Trendy; the 1960s stainless steel chairs and cube are by Maria Pergay, the table lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Apartment, and Elizabeth Peyton.

In the library of the identical Manhattan dwelling, the classic Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen material; the marble-and-brass cocktail table is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.

In a Chicago Artwork Deco apartment, the main bedroom’s mattress in a Mark Alexander velvet, the bench in a Dune leather-based, and the club chair in a Stroheim material are all custom; the 1950s Tommi Parzinger chest (next to the bed), Ico Parisi 1970s cupboard, and classic Jules Leleu aspect desk are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.

In a Montana ski house, the blackened-steel mantel in the main bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the hearth tools are from Kaufmann Mercantile.

Within the living space of a barn on Amanda Seyfried’s Catskills property, an unique wood-burning range is backed by a wall of custom concrete tiles; the chair is classic.

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In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail table is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.

In a London dwelling, the lounge’s custom sofa is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is roofed in an Etro fabric, the cast-terrazzo stools are by Maddux Inventive, the mirror is by Marianna Kennedy, and the paintings flanking it are by Peter Lanyon.

In a West Village condominium, the eating table by Jerôme Abel Seguin is from Ralph Pucci, the vintage chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.

On the terrace of a Pacific Palisades home, the sofas and cocktail desk are by Hyperlink Out of doors, and the light fixture is from the 1950s.

The lounge chairs, cocktail table, and couch are all by Casamidy; the paintings over the couch, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Theory of Special Relativity, is by Jose Dávila, and the chandelier installation is by Cerith Wyn Evans; a piece by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.

In a New Jersey mansion, framed 19th-century English pressed crops in a sitting space; the wallcovering is by Phillip Jeffries.

In the living room of designer Andrew Gn’s Paris house, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre cloth, face armchairs by Emiel Veranneman and a cocktail table by Fredrik Schriever-Abeln, each from the 1960s; the custom-made flooring lamps are by Didier Bazille, a portray by Philippe Garouste de Clauzade hangs above an Artwork Nouveau wooden mantelpiece, the stools are late-19th-century, and the kilim is Turkish.

In the family room of a California residence, the George Sher lock sofa is upholstered in a Raoul Textiles linen, the ottoman, covered in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market discover, and the vintage bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, cling above the hearth, the partitions are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.

In a Tahoe residence, the mirrored facet table within the dwelling area is by Notre Monde, and the fireplace encompass is stacked flagstone.

In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Winery, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the sofa by Restoration Hardware is roofed in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier fabric, and the walnut cocktail table and stool are custom; the rug is a vintage Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Tremendous White.

The bed in the master suite of a London townhouse is wearing a custom quilt made from a Dedar cloth, the letter-shaped stools are from Andrew Martin, and the partitions are sheathed in a Jim Thompson silk with hand-sewn red silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the mattress, which is inscribed with Buddhist phrases, was purchased in Singapore.

In a Manhattan family condo, lounge chairs are upholstered in indestructible white leather and fabric of woven metal threads.

In an Ibiza dwelling, local-limestone floors lined in custom Spanish esparto rugs from Antonia Molina, partitions in a sandy lime plaster, and a wood-beam ceiling set a rustic tone in the living room. Customized sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié cloth; the Oeil cocktail desk by Pierre Chapo is classic, the lacquered-coral sculpture is by Maurizio Epifani, and the portray over the mantel is by Alex Katz.

In a mid-century Palm Springs residence, Louie, a French bulldog, relaxes in front of a custom cocktail table by Joseph Jeup. The fireplacewall is authentic.

In designer Christian Astuguevieille’s French dwelling, Astuguevieille designed the Afribaton chair, marble-topped desk, hemp pedestal, Mira mirror, and sconce prototypes within the meeting room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue cloth and bulrushes sit atop the 19th-century marble fireplace.

A hearth ought to be cozy, so you might be inclined to steer clear of a contemporary design for worry it’ll look too cold and stark—but that’s a severe misconception. Positive, it could undoubtedly learn that, and if that’s what you are going for, extra energy to you, however you do not have to sacrifice homey vibes in the identify of fresh traces. Let these fireplaces show to you that modern is the move.

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