Best Way to Mount Tv Over Fireplace How Much Does A Gas Fireplace Cost

Best Way To Mount Tv Over Fireplace
-Each decorative and practical, cozy and statement-making, a hearth is the heart of any dwelling. And whether or not you like it or not, your fire is the focus of any area that it occupies. For that reason, it’s important to present your fire the same consideration that it attracts. The look of your hearth can elevate–or downgrade–an area, so making it stunning is key.

Whether or not you’re trying to replace an older structure or construct your modern dream dwelling, these 25 gorgeous fashionable fireplaces are positive to spark design inspiration.

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The “barely there” fire in this Beverly Hills main bedroom is tucked away discreetly in the corner, featuring textured, charcoal-colored stones. The modern space incorporates a headboard and cover in a Romo velvet, and a throw by Bunny Williams Home. The vintage sheepskin chair is by Peter Hvidt, and the paintings to the appropriate of the mattress is by Joel Shapiro.

In the home office of this Decrease East Aspect apartment, a wall of firewood and uncovered brick helps temper the modernness and cozy up the commercial house.

In Leisure Tonight host Keltie Knight’s main bedroom, an original fire is given a contemporary facelift with easy white marble and a matte black mantle. Whereas the room boasts a modern design, the warmth of the hearth provides a layer of coziness.

On this open idea house designed by Soler Architecture and Design, a contemporary two-way fireplace is given a reflective façade, thanks to metallic bricks that reflect the ample natural gentle in the area.

A contemporary house is given a sultry edge with a floor to ceiling hearth in a glossy black marble. The direct-vent design creates shorter flames, enhancing the up to date attraction.

In a New York City apartment, the pair of 1960s chairs from John Salibello is in a Manuel Canovas material, the custom sofas are lined in Holland & Sherry materials, and the Karl Springer cocktail table (foreground) is from Mantiques Modern; the 1960s stainless steel chairs and cube are by Maria Pergay, the table lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton mix; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Condo, and Elizabeth Peyton.

Within the library of the identical Manhattan dwelling, the vintage Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom sofa is in a Larsen material; the marble-and-brass cocktail table is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.

In a Chicago Artwork Deco apartment, the master suite’s bed in a Mark Alexander velvet, the bench in a Dune leather-based, and the club chair in a Stroheim fabric are all custom; the 1950s Tommi Parzinger chest (next to the bed), Ico Parisi 1970s cabinet, and vintage Jules Leleu side table are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.

In a Montana ski home, the blackened-steel mantel in the master bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather shearling, and the fireside tools are from Kaufmann Mercantile.

Within the dwelling space of a barn on Amanda Seyfried’s Catskills property, an original wood-burning range is backed by a wall of custom concrete tiles; the chair is classic.

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In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail desk is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.

In a London dwelling, the living room’s custom couch is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is covered in an Etro cloth, the cast-terrazzo stools are by Maddux Artistic, the mirror is by Marianna Kennedy, and the paintings flanking it are by Peter Lanyon.

In a West Village apartment, the dining desk by Jerôme Abel Seguin is from Ralph Pucci, the vintage chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.

On the terrace of a Pacific Palisades dwelling, the sofas and cocktail table are by Link Out of doors, and the light fixture is from the 1950s.

The lounge chairs, cocktail desk, and couch are all by Casamidy; the paintings over the couch, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Theory of Particular Relativity, is by Jose Dávila, and the chandelier installation is by Cerith Wyn Evans; a piece by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.

In a New Jersey mansion, framed 19th-century English pressed crops in a sitting space; the wallcovering is by Phillip Jeffries.

In the lounge of fashion designer Andrew Gn’s Paris condo, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre material, face armchairs by Emiel Veranneman and a cocktail desk by Fredrik Schriever-Abeln, both from the 1960s; the custom-made ground lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Artwork Nouveau wooden mantelpiece, the stools are late-19th-century, and the kilim is Turkish.

In the household room of a California home, the George Sher lock couch is upholstered in a Raoul Textiles linen, the ottoman, coated in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market discover, and the antique bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, dangle above the fireside, the walls are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.

In a Tahoe residence, the mirrored side table in the residing area is by Notre Monde, and the fireside surround is stacked flagstone.

In the lounge of Meredith Melling and Zach Iscol’s retreat on Martha’s Winery, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the couch by Restoration Hardware is roofed in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier fabric, and the walnut cocktail table and stool are custom; the rug is a classic Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Super White.

The bed in the master suite of a London townhouse is dressed in a custom duvet constituted of a Dedar fabric, the letter-shaped stools are from Andrew Martin, and the partitions are sheathed in a Jim Thompson silk with hand-sewn pink silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the bed, which is inscribed with Buddhist phrases, was bought in Singapore.

In a Manhattan household apartment, living room chairs are upholstered in indestructible white leather and cloth of woven metal threads.

In an Ibiza residence, local-limestone flooring lined in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a country tone in the living room. Custom sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié material; the Oeil cocktail table by Pierre Chapo is vintage, the lacquered-coral sculpture is by Maurizio Epifani, and the portray over the mantel is by Alex Katz.

In a mid-century Palm Springs dwelling, Louie, a French bulldog, relaxes in entrance of a custom cocktail desk by Joseph Jeup. The fireplacewall is original.

In designer Christian Astuguevieille’s French house, Astuguevieille designed the Afribaton chair, marble-topped desk, hemp pedestal, Mira mirror, and sconce prototypes within the assembly room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue cloth and bulrushes sit atop the 19th-century marble fire.

A fire should be cozy, so you might be inclined to steer clear of a modern design for worry it’s going to look too cold and stark—but that is a critical false impression. Positive, it will possibly undoubtedly read that, and if that is what you are going for, extra power to you, however you don’t have to sacrifice homey vibes within the title of clean traces. Let these fireplaces show to you that modern is the transfer.

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