Fireplace Damper Handle
-Each decorative and practical, cozy and statement-making, a fire is the guts of any home. And whether you prefer it or not, your fire is the point of interest of any house that it occupies. For that cause, it’s necessary to offer your fire the identical consideration that it attracts. The look of your fire can elevate–or downgrade–a space, so making it stunning is key.
Whether you are looking to replace an older structure or construct your up to date dream residence, these 25 attractive fashionable fireplaces are positive to spark design inspiration.
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The “barely there” fire on this Beverly Hills master suite is tucked away discreetly within the nook, that includes textured, charcoal-colored stones. The fashionable space includes a headboard and cover in a Romo velvet, and a throw by Bunny Williams Residence. The classic sheepskin chair is by Peter Hvidt, and the artwork to the fitting of the bed is by Joel Shapiro.
Within the residence workplace of this Decrease East Facet condominium, a wall of firewood and uncovered brick helps mood the modernness and comfortable up the commercial space.
A POLISHED MARBLE FACELIFT
In Entertainment Tonight host Keltie Knight’s master bedroom, an authentic fireplace is given a contemporary facelift with simple white marble and a matte black mantle. Whereas the room boasts a modern design, the warmth of the hearth adds a layer of coziness.
On this open concept dwelling designed by Soler Structure and Design, a modern two-way fireplace is given a reflective façade, due to metallic bricks that reflect the abundant pure mild in the area.
STATEMENT BLACK MARBLE
A modern space is given a sultry edge with a ground to ceiling fire in a shiny black marble. The direct-vent design creates shorter flames, enhancing the up to date appeal.
In a New York Metropolis condominium, the pair of 1960s chairs from John Salibello is in a Manuel Canovas cloth, the custom sofas are covered in Holland & Sherry materials, and the Karl Springer cocktail table (foreground) is from Mantiques Fashionable; the 1960s stainless-steel chairs and cube are by Maria Pergay, the table lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Condo, and Elizabeth Peyton.
Within the library of the identical Manhattan dwelling, the classic Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen material; the marble-and-brass cocktail desk is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.
In a Chicago Art Deco condo, the master bedroom’s mattress in a Mark Alexander velvet, the bench in a Dune leather, and the club chair in a Stroheim cloth are all custom; the 1950s Tommi Parzinger chest (subsequent to the bed), Ico Parisi 1970s cabinet, and vintage Jules Leleu aspect table are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.
In a Montana ski house, the blackened-steel mantel in the main bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the fireplace instruments are from Kaufmann Mercantile.
SLEEK WOOD-BURNING STOVE FIREPLACE
In the dwelling space of a barn on Amanda Seyfried’s Catskills property, an original wood-burning range is backed by a wall of custom concrete tiles; the chair is classic.
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MINIMAL OUTDOOR FIREPLACE
In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail table is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.
MATCHING MARBLE FIREPLACE
In a London house, the lounge’s custom couch is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is roofed in an Etro material, the cast-terrazzo stools are by Maddux Artistic, the mirror is by Marianna Kennedy, and the paintings flanking it are by Peter Lanyon.
BLACK AND GOLD FIREPLACE
In a West Village house, the eating table by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.
INSET OUTDOOR FIREPLACE
On the terrace of a Pacific Palisades dwelling, the sofas and cocktail desk are by Link Outdoor, and the light fixture is from the 1950s.
The lounge chairs, cocktail desk, and couch are all by Casamidy; the artwork over the couch, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Principle of Special Relativity, is by Jose Dávila, and the chandelier set up is by Cerith Wyn Evans; a work by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.
In a New Jersey mansion, framed 19th-century English pressed vegetation in a sitting area; the wallcovering is by Phillip Jeffries.
SIMPLE MONOCHROMATIC FIREPLACE
In the living room of designer Andrew Gn’s Paris residence, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre fabric, face armchairs by Emiel Veranneman and a cocktail desk by Fredrik Schriever-Abeln, both from the 1960s; the custom-made floor lamps are by Didier Bazille, a portray by Philippe Garouste de Clauzade hangs above an Artwork Nouveau wooden mantelpiece, the stools are late-19th-century, and the kilim is Turkish.
Within the household room of a California house, the George Sher lock couch is upholstered in a Raoul Textiles linen, the ottoman, coated in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market find, and the antique bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, hang above the fireplace, the partitions are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.
In a Tahoe home, the mirrored side desk within the dwelling space is by Notre Monde, and the hearth surround is stacked flagstone.
In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Vineyard, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the sofa by Restoration Hardware is covered in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier cloth, and the walnut cocktail table and stool are custom; the rug is a classic Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Super White.
NARROW COVERED FIREPLACE
The mattress in the master bedroom of a London townhouse is dressed in a custom quilt constituted of a Dedar cloth, the letter-shaped stools are from Andrew Martin, and the walls are sheathed in a Jim Thompson silk with hand-sewn purple silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the bed, which is inscribed with Buddhist phrases, was purchased in Singapore.
SLEEK WHITE FIREPLACE
In a Manhattan family apartment, living room chairs are upholstered in indestructible white leather-based and cloth of woven metal threads.
PETITE COASTAL FIREPLACE
In an Ibiza home, local-limestone floors lined in custom Spanish esparto rugs from Antonia Molina, partitions in a sandy lime plaster, and a wood-beam ceiling set a rustic tone in the lounge. Customized sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié fabric; the Oeil cocktail desk by Pierre Chapo is classic, the lacquered-coral sculpture is by Maurizio Epifani, and the portray over the mantel is by Alex Katz.
MID-CENTURY MODERN FIREPLACE
In a mid-century Palm Springs home, Louie, a French bulldog, relaxes in entrance of a custom cocktail table by Joseph Jeup. The fireplacewall is authentic.
REINTERPRETED ANTIQUE FIREPLACE
In designer Christian Astuguevieille’s French residence, Astuguevieille designed the Afribaton chair, marble-topped desk, hemp pedestal, Mira mirror, and sconce prototypes within the assembly room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue fabric and bulrushes sit atop the 19th-century marble fire.
A hearth should be cozy, so that you might be inclined to keep away from a modern design for fear it’ll look too chilly and stark—but that’s a critical false impression. Certain, it may possibly definitely learn that, and if that is what you’re going for, extra power to you, but you do not have to sacrifice homey vibes in the identify of fresh traces. Let these fireplaces prove to you that fashionable is the move.