Outdoor Electric Fireplace With Heat
-Both ornamental and practical, cozy and statement-making, a fire is the center of any house. And whether you prefer it or not, your fireplace is the point of interest of any area that it occupies. For that reason, it’s vital to offer your fireplace the identical attention that it attracts. The look of your fireplace can elevate–or downgrade–an area, so making it lovely is essential.
Whether you are trying to update an older construction or construct your up to date dream residence, these 25 beautiful fashionable fireplaces are positive to spark design inspiration.
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The “barely there” hearth in this Beverly Hills master bedroom is tucked away discreetly in the nook, featuring textured, charcoal-colored stones. The modern area incorporates a headboard and canopy in a Romo velvet, and a throw by Bunny Williams Residence. The classic sheepskin chair is by Peter Hvidt, and the paintings to the right of the mattress is by Joel Shapiro.
Within the house workplace of this Decrease East Side apartment, a wall of firewood and uncovered brick helps mood the modernness and comfy up the industrial area.
A POLISHED MARBLE FACELIFT
In Entertainment Tonight host Keltie Knight’s master bedroom, an original fire is given a modern facelift with easy white marble and a matte black mantle. While the room boasts a contemporary design, the warmth of the fireside adds a layer of coziness.
In this open concept home designed by Soler Architecture and Design, a contemporary two-way fireplace is given a reflective façade, because of metallic bricks that replicate the considerable pure mild within the house.
STATEMENT BLACK MARBLE
A contemporary area is given a sultry edge with a flooring to ceiling fireplace in a shiny black marble. The direct-vent design creates shorter flames, enhancing the modern appeal.
In a New York Metropolis house, the pair of 1960s chairs from John Salibello is in a Manuel Canovas cloth, the custom sofas are covered in Holland & Sherry materials, and the Karl Springer cocktail table (foreground) is from Mantiques Fashionable; the 1960s stainless-steel chairs and cube are by Maria Pergay, the table lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Condominium, and Elizabeth Peyton.
Within the library of the identical Manhattan home, the classic Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen cloth; the marble-and-brass cocktail table is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.
In a Chicago Art Deco condo, the master bedroom’s bed in a Mark Alexander velvet, the bench in a Dune leather-based, and the membership chair in a Stroheim fabric are all custom; the 1950s Tommi Parzinger chest (next to the mattress), Ico Parisi 1970s cupboard, and classic Jules Leleu side desk are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.
In a Montana ski house, the blackened-steel mantel in the master suite is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the hearth tools are from Kaufmann Mercantile.
SLEEK WOOD-BURNING STOVE FIREPLACE
In the residing area of a barn on Amanda Seyfried’s Catskills property, an unique wood-burning range is backed by a wall of custom concrete tiles; the chair is vintage.
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MINIMAL OUTDOOR FIREPLACE
In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail desk is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.
MATCHING MARBLE FIREPLACE
In a London house, the living room’s custom sofa is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is covered in an Etro fabric, the cast-terrazzo stools are by Maddux Inventive, the mirror is by Marianna Kennedy, and the work flanking it are by Peter Lanyon.
BLACK AND GOLD FIREPLACE
In a West Village residence, the eating desk by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.
INSET OUTDOOR FIREPLACE
On the terrace of a Pacific Palisades dwelling, the sofas and cocktail desk are by Link Out of doors, and the light fixture is from the 1950s.
The lounge chairs, cocktail table, and sofa are all by Casamidy; the paintings over the sofa, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Idea of Particular Relativity, is by Jose Dávila, and the chandelier set up is by Cerith Wyn Evans; a work by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.
In a New Jersey mansion, framed 19th-century English pressed crops in a sitting area; the wallcovering is by Phillip Jeffries.
SIMPLE MONOCHROMATIC FIREPLACE
In the lounge of clothier Andrew Gn’s Paris house, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre fabric, face armchairs by Emiel Veranneman and a cocktail table by Fredrik Schriever-Abeln, each from the 1960s; the custom-made floor lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Artwork Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.
Within the family room of a California house, the George Sher lock sofa is upholstered in a Raoul Textiles linen, the ottoman, lined in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market discover, and the antique bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, amongst others, cling above the fireside, the walls are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.
In a Tahoe dwelling, the mirrored facet table in the dwelling space is by Notre Monde, and the hearth surround is stacked flagstone.
In the lounge of Meredith Melling and Zach Iscol’s retreat on Martha’s Winery, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the sofa by Restoration Hardware is roofed in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier material, and the walnut cocktail desk and stool are custom; the rug is a classic Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Super White.
NARROW COVERED FIREPLACE
The mattress in the master bedroom of a London townhouse is wearing a custom cover created from a Dedar cloth, the letter-shaped stools are from Andrew Martin, and the partitions are sheathed in a Jim Thompson silk with hand-sewn pink silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the mattress, which is inscribed with Buddhist phrases, was purchased in Singapore.
SLEEK WHITE FIREPLACE
In a Manhattan family residence, front room chairs are upholstered in indestructible white leather and fabric of woven metallic threads.
PETITE COASTAL FIREPLACE
In an Ibiza dwelling, local-limestone floors lined in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a rustic tone in the lounge. Custom sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié fabric; the Oeil cocktail desk by Pierre Chapo is classic, the lacquered-coral sculpture is by Maurizio Epifani, and the painting over the mantel is by Alex Katz.
MID-CENTURY MODERN FIREPLACE
In a mid-century Palm Springs dwelling, Louie, a French bulldog, relaxes in front of a custom cocktail table by Joseph Jeup. The fireplacewall is unique.
REINTERPRETED ANTIQUE FIREPLACE
In designer Christian Astuguevieille’s French home, Astuguevieille designed the Afribaton chair, marble-topped desk, hemp pedestal, Mira mirror, and sconce prototypes within the assembly room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue fabric and bulrushes sit atop the 19th-century marble hearth.
A fireplace needs to be cozy, so you might be inclined to stay away from a modern design for worry it will look too cold and stark—but that’s a critical false impression. Certain, it will probably undoubtedly learn that, and if that’s what you are going for, extra power to you, but you don’t have to sacrifice homey vibes within the title of fresh traces. Let these fireplaces show to you that modern is the transfer.