Fake Gas Fireplace
-Each ornamental and practical, cozy and statement-making, a hearth is the center of any residence. And whether or not you like it or not, your fireplace is the focal point of any space that it occupies. For that reason, it’s important to present your fireplace the same attention that it attracts. The look of your fire can elevate–or downgrade–an area, so making it stunning is key.
Whether you are trying to update an older construction or construct your modern dream residence, these 25 gorgeous modern fireplaces are certain to spark design inspiration.
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The “barely there” hearth on this Beverly Hills master bedroom is tucked away discreetly within the nook, that includes textured, charcoal-colored stones. The trendy space contains a headboard and canopy in a Romo velvet, and a throw by Bunny Williams Home. The vintage sheepskin chair is by Peter Hvidt, and the paintings to the precise of the mattress is by Joel Shapiro.
Within the home workplace of this Decrease East Aspect condo, a wall of firewood and exposed brick helps temper the modernness and cozy up the industrial area.
A POLISHED MARBLE FACELIFT
In Entertainment Tonight host Keltie Knight’s master suite, an original fireplace is given a contemporary facelift with simple white marble and a matte black mantle. While the room boasts a modern design, the heat of the hearth provides a layer of coziness.
In this open idea dwelling designed by Soler Structure and Design, a contemporary two-way fireplace is given a reflective façade, because of metallic bricks that mirror the plentiful natural light in the house.
STATEMENT BLACK MARBLE
A modern area is given a sultry edge with a ground to ceiling fireplace in a glossy black marble. The direct-vent design creates shorter flames, enhancing the up to date attraction.
In a New York Metropolis residence, the pair of 1960s chairs from John Salibello is in a Manuel Canovas material, the custom sofas are coated in Holland & Sherry fabrics, and the Karl Springer cocktail desk (foreground) is from Mantiques Modern; the 1960s stainless steel chairs and cube are by Maria Pergay, the desk lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton blend; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Rental, and Elizabeth Peyton.
Within the library of the same Manhattan house, the classic Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen fabric; the marble-and-brass cocktail table is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.
In a Chicago Artwork Deco condominium, the main bedroom’s bed in a Mark Alexander velvet, the bench in a Dune leather-based, and the club chair in a Stroheim material are all custom; the 1950s Tommi Parzinger chest (subsequent to the bed), Ico Parisi 1970s cabinet, and vintage Jules Leleu side table are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.
In a Montana ski home, the blackened-steel mantel in the main bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather-based shearling, and the hearth instruments are from Kaufmann Mercantile.
SLEEK WOOD-BURNING STOVE FIREPLACE
In the residing area of a barn on Amanda Seyfried’s Catskills property, an original wood-burning stove is backed by a wall of custom concrete tiles; the chair is vintage.
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MINIMAL OUTDOOR FIREPLACE
In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail desk is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.
MATCHING MARBLE FIREPLACE
In a London house, the lounge’s custom sofa is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is covered in an Etro fabric, the cast-terrazzo stools are by Maddux Inventive, the mirror is by Marianna Kennedy, and the paintings flanking it are by Peter Lanyon.
BLACK AND GOLD FIREPLACE
In a West Village condo, the dining table by Jerôme Abel Seguin is from Ralph Pucci, the vintage chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.
INSET OUTDOOR FIREPLACE
On the terrace of a Pacific Palisades dwelling, the sofas and cocktail table are by Hyperlink Outside, and the sunshine fixture is from the 1950s.
The lounge chairs, cocktail desk, and sofa are all by Casamidy; the artwork over the couch, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Theory of Special Relativity, is by Jose Dávila, and the chandelier installation is by Cerith Wyn Evans; a work by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.
In a New Jersey mansion, framed 19th-century English pressed vegetation in a sitting space; the wallcovering is by Phillip Jeffries.
SIMPLE MONOCHROMATIC FIREPLACE
In the living room of fashion designer Andrew Gn’s Paris residence, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre cloth, face armchairs by Emiel Veranneman and a cocktail table by Fredrik Schriever-Abeln, each from the 1960s; the custom-made ground lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Art Nouveau wooden mantelpiece, the stools are late-19th-century, and the kilim is Turkish.
Within the household room of a California house, the George Sher lock couch is upholstered in a Raoul Textiles linen, the ottoman, covered in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market find, and the vintage bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, hold above the fireplace, the partitions are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.
In a Tahoe residence, the mirrored side desk within the dwelling space is by Notre Monde, and the fireside encompass is stacked flagstone.
In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Vineyard, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the sofa by Restoration Hardware is roofed in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier material, and the walnut cocktail table and stool are custom; the rug is a vintage Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Super White.
NARROW COVERED FIREPLACE
The bed in the master bedroom of a London townhouse is wearing a custom duvet made out of a Dedar cloth, the letter-shaped stools are from Andrew Martin, and the partitions are sheathed in a Jim Thompson silk with hand-sewn crimson silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the bed, which is inscribed with Buddhist phrases, was purchased in Singapore.
SLEEK WHITE FIREPLACE
In a Manhattan family condominium, front room chairs are upholstered in indestructible white leather and fabric of woven metallic threads.
PETITE COASTAL FIREPLACE
In an Ibiza home, local-limestone floors lined in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a country tone in the lounge. Custom sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié cloth; the Oeil cocktail table by Pierre Chapo is vintage, the lacquered-coral sculpture is by Maurizio Epifani, and the portray over the mantel is by Alex Katz.
MID-CENTURY MODERN FIREPLACE
In a mid-century Palm Springs house, Louie, a French bulldog, relaxes in front of a custom cocktail table by Joseph Jeup. The fireplacewall is authentic.
REINTERPRETED ANTIQUE FIREPLACE
In designer Christian Astuguevieille’s French residence, Astuguevieille designed the Afribaton chair, marble-topped desk, hemp pedestal, Mira mirror, and sconce prototypes within the assembly room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue cloth and bulrushes sit atop the 19th-century marble fire.
A fireplace ought to be cozy, so you may be inclined to keep away from a modern design for worry it will look too cold and stark—however that’s a critical misconception. Certain, it might probably undoubtedly learn that, and if that is what you’re going for, more energy to you, but you don’t have to sacrifice homey vibes in the identify of fresh lines. Let these fireplaces prove to you that fashionable is the move.