Sfc Fireplace How to Build An Outdoor Fireplace

Sfc Fireplace
-Both ornamental and practical, cozy and statement-making, a fireplace is the center of any residence. And whether you prefer it or not, your fire is the focus of any area that it occupies. For that cause, it’s essential to give your fireplace the identical consideration that it attracts. The look of your hearth can elevate–or downgrade–a space, so making it lovely is key.

Whether you are looking to replace an older structure or construct your contemporary dream house, these 25 beautiful trendy fireplaces are positive to spark design inspiration.

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17 Best Superior Fireplace from Sfc Fireplace , source:croaciaaudio.com

The “barely there” fire on this Beverly Hills main bedroom is tucked away discreetly within the nook, that includes textured, charcoal-colored stones. The trendy space contains a headboard and canopy in a Romo velvet, and a throw by Bunny Williams Home. The vintage sheepskin chair is by Peter Hvidt, and the paintings to the proper of the bed is by Joel Shapiro.

Within the house workplace of this Lower East Facet rental, a wall of firewood and exposed brick helps mood the modernness and cozy up the industrial space.

In Entertainment Tonight host Keltie Knight’s master suite, an original hearth is given a modern facelift with simple white marble and a matte black mantle. Whereas the room boasts a modern design, the warmth of the fireplace adds a layer of coziness.

In this open concept dwelling designed by Soler Architecture and Design, a modern two-way fireplace is given a reflective façade, due to metallic bricks that reflect the abundant pure gentle within the space.

A contemporary area is given a sultry edge with a flooring to ceiling fire in a shiny black marble. The direct-vent design creates shorter flames, enhancing the modern appeal.

In a New York Metropolis apartment, the pair of 1960s chairs from John Salibello is in a Manuel Canovas cloth, the custom sofas are coated in Holland & Sherry fabrics, and the Karl Springer cocktail table (foreground) is from Mantiques Modern; the 1960s chrome steel chairs and dice are by Maria Pergay, the table lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton mix; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Rental, and Elizabeth Peyton.

Within the library of the identical Manhattan residence, the vintage Ward Bennett swivel chair in a Rubelli cotton-silk blend is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen cloth; the marble-and-brass cocktail desk is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.

In a Chicago Artwork Deco residence, the main bedroom’s bed in a Mark Alexander velvet, the bench in a Dune leather-based, and the membership chair in a Stroheim fabric are all custom; the 1950s Tommi Parzinger chest (next to the mattress), Ico Parisi 1970s cabinet, and classic Jules Leleu side desk are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.

In a Montana ski house, the blackened-steel mantel in the master suite is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather shearling, and the fireplace instruments are from Kaufmann Mercantile.

Within the residing space of a barn on Amanda Seyfried’s Catskills property, an unique wood-burning range is backed by a wall of custom concrete tiles; the chair is vintage.

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In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail table is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.

In a London home, the lounge’s custom sofa is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is covered in an Etro fabric, the cast-terrazzo stools are by Maddux Artistic, the mirror is by Marianna Kennedy, and the work flanking it are by Peter Lanyon.

In a West Village house, the eating table by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.

On the terrace of a Pacific Palisades dwelling, the sofas and cocktail table are by Link Outside, and the sunshine fixture is from the 1950s.

The lounge chairs, cocktail desk, and couch are all by Casamidy; the art work over the sofa, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Concept of Particular Relativity, is by Jose Dávila, and the chandelier installation is by Cerith Wyn Evans; a piece by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.

In a New Jersey mansion, framed 19th-century English pressed vegetation in a sitting space; the wallcovering is by Phillip Jeffries.

In the living room of clothier Andrew Gn’s Paris condo, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre cloth, face armchairs by Emiel Veranneman and a cocktail table by Fredrik Schriever-Abeln, both from the 1960s; the custom-made ground lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Art Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.

Within the household room of a California dwelling, the George Sher lock couch is upholstered in a Raoul Textiles linen, the ottoman, covered in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market discover, and the vintage bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, among others, hold above the fireplace, the partitions are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.

In a Tahoe house, the mirrored facet table within the living space is by Notre Monde, and the hearth surround is stacked flagstone.

In the lounge of Meredith Melling and Zach Iscol’s retreat on Martha’s Vineyard, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the sofa by Restoration Hardware is covered in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier fabric, and the walnut cocktail table and stool are custom; the rug is a classic Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Super White.

The mattress in the main bedroom of a London townhouse is dressed in a custom cover constructed from a Dedar material, the letter-shaped stools are from Andrew Martin, and the walls are sheathed in a Jim Thompson silk with hand-sewn red silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the mattress, which is inscribed with Buddhist phrases, was purchased in Singapore.

In a Manhattan household condo, lounge chairs are upholstered in indestructible white leather and cloth of woven steel threads.

In an Ibiza residence, local-limestone flooring covered in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a country tone in the living room. Customized sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié fabric; the Oeil cocktail desk by Pierre Chapo is classic, the lacquered-coral sculpture is by Maurizio Epifani, and the portray over the mantel is by Alex Katz.

In a mid-century Palm Springs residence, Louie, a French bulldog, relaxes in entrance of a custom cocktail table by Joseph Jeup. The fireplacewall is authentic.

In designer Christian Astuguevieille’s French dwelling, Astuguevieille designed the Afribaton chair, marble-topped table, hemp pedestal, Mira mirror, and sconce prototypes within the meeting room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue cloth and bulrushes sit atop the 19th-century marble fire.

A hearth ought to be cozy, so that you is perhaps inclined to keep away from a contemporary design for fear it will look too chilly and stark—however that’s a critical misconception. Certain, it can definitely learn that, and if that’s what you are going for, more power to you, however you don’t have to sacrifice homey vibes in the title of fresh traces. Let these fireplaces show to you that fashionable is the move.

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