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Fireplace Brick Sealer Home Depot Electric Fireplace Logs

Posted at December 14, 2018 22:03 by Bethanie in Fireplace Modern
Fireplace Brick Sealer
Home Depot Electric Fireplace Logs

Fireplace Brick Sealer
-Both decorative and purposeful, cozy and statement-making, a fireplace is the guts of any home. And whether or not you like it or not, your fire is the point of interest of any area that it occupies. For that reason, it’s essential to provide your hearth the identical consideration that it attracts. The look of your fire can elevate–or downgrade–a space, so making it beautiful is essential.

Whether you’re trying to update an older construction or build your up to date dream house, these 25 beautiful trendy fireplaces are certain to spark design inspiration.

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The “barely there” fire on this Beverly Hills main bedroom is tucked away discreetly within the corner, that includes textured, charcoal-colored stones. The fashionable house encompasses a headboard and canopy in a Romo velvet, and a throw by Bunny Williams House. The classic sheepskin chair is by Peter Hvidt, and the art work to the precise of the bed is by Joel Shapiro.

In the residence workplace of this Lower East Side condominium, a wall of firewood and uncovered brick helps temper the modernness and cozy up the industrial house.

In Leisure Tonight host Keltie Knight’s main bedroom, an original hearth is given a modern facelift with easy white marble and a matte black mantle. While the room boasts a modern design, the warmth of the fireside provides a layer of coziness.

In this open idea home designed by Soler Architecture and Design, a contemporary two-way hearth is given a reflective façade, due to metallic bricks that replicate the ample pure light within the area.

A modern house is given a sultry edge with a flooring to ceiling hearth in a glossy black marble. The direct-vent design creates shorter flames, enhancing the modern attraction.

In a New York City apartment, the pair of 1960s chairs from John Salibello is in a Manuel Canovas fabric, the custom sofas are covered in Holland & Sherry materials, and the Karl Springer cocktail desk (foreground) is from Mantiques Fashionable; the 1960s chrome steel chairs and dice are by Maria Pergay, the desk lamps are by Andrea Koeppel, and the curtains are of a Manuel Canovas silk-cotton mix; the artworks on the wall are by (from left) Richard Prince, Rudolf Stingel, George Rental, and Elizabeth Peyton.

In the library of the identical Manhattan residence, the classic Ward Bennett swivel chair in a Rubelli cotton-silk mix is from Wyeth, the circa-1960 Italian lounge chair in a Fermoie linen is from Donzella, and the custom couch is in a Larsen material; the marble-and-brass cocktail desk is byBrian Thoreen, the Claude Lalanne bronze chair is from Paul Kasmin Gallery, and the custom carpet is from Holland & Sherry. A sculpture by Maurizio Cattelan hangs over the custom mantel, which holds artworks by Elizabeth Peyton.

In a Chicago Artwork Deco residence, the master suite’s bed in a Mark Alexander velvet, the bench in a Dune leather-based, and the club chair in a Stroheim fabric are all custom; the 1950s Tommi Parzinger chest (subsequent to the mattress), Ico Parisi 1970s cabinet, and classic Jules Leleu aspect desk are all from Bernd Goeckler; the circa-1930 English mantel is from Westland London, and the carpet is from Stark.

In a Montana ski home, the blackened-steel mantel in the master bedroom is framed by a wall clad in Japanese clay tiles from Chelsea Arts Tile & Stone. The custom stool has a seat in an Edelman Leather shearling, and the hearth tools are from Kaufmann Mercantile.

In the dwelling area of a barn on Amanda Seyfried’s Catskills property, an original wood-burning range is backed by a wall of custom concrete tiles; the chair is classic.

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In a Los Angeles farmhouse, the custom concrete sofas on a screened porch are topped with Brenda Antin pillows, the 1990 Mats Theselius chair is Swedish, the 1953 Bigfoot cocktail desk is by Paul Frank, and the wall is clad in reclaimed farmhouse boards.

In a London home, the living room’s custom couch is upholstered in a Bruno Triplet silk, a midcentury chair from Blackman Cruz is covered in an Etro fabric, the cast-terrazzo stools are by Maddux Artistic, the mirror is by Marianna Kennedy, and the work flanking it are by Peter Lanyon.

In a West Village residence, the eating desk by Jerôme Abel Seguin is from Ralph Pucci, the classic chairs are by Jean Prouvé, the photograph over the mantel is by Catherine Opie, the sculpture is by Elliott Hundley, and the vases on the mantel are by Rick Owens.

On the terrace of a Pacific Palisades home, the sofas and cocktail desk are by Hyperlink Out of doors, and the sunshine fixture is from the 1950s.

The living room chairs, cocktail desk, and couch are all by Casamidy; the artwork over the sofa, reproducing a 1936 telegram from R. Buckminster Fuller to Isamu Noguchi explaining Einstein’s Idea of Particular Relativity, is by Jose Dávila, and the chandelier set up is by Cerith Wyn Evans; a piece by Ryan Brown hangs over a 17th-century Peruvian console, the 19th-century mirror is Mexican, and the sandstone mantel sits atop 18th-century Indian columns.

In a New Jersey mansion, framed 19th-century English pressed vegetation in a sitting area; the wallcovering is by Phillip Jeffries.

In the lounge of designer Andrew Gn’s Paris apartment, 1950s wing chairs by Melchiorre Bega, upholstered in a Lelievre fabric, face armchairs by Emiel Veranneman and a cocktail table by Fredrik Schriever-Abeln, both from the 1960s; the custom-made floor lamps are by Didier Bazille, a painting by Philippe Garouste de Clauzade hangs above an Artwork Nouveau wood mantelpiece, the stools are late-19th-century, and the kilim is Turkish.

In the household room of a California dwelling, the George Sher lock couch is upholstered in a Raoul Textiles linen, the ottoman, covered in a de Le Cuona corduroy, is by Howe, the armchairs are from Dean Antiques, the stool is a Paris flea-market find, and the antique bench is from Ruby Beets; works by Sam McEwen and Hugo Guinness, amongst others, dangle above the fireplace, the walls are painted in Emery & Cie’s C’est Un Garçon, the cane shades are from Joss Graham, and the rug is by Beauvais Carpets.

In a Tahoe house, the mirrored facet desk in the dwelling area is by Notre Monde, and the fireside surround is stacked flagstone.

In the living room of Meredith Melling and Zach Iscol’s retreat on Martha’s Vineyard, which was designed by Ariel Ashe and Reinaldo Leandro of Ashe + Leandro, the couch by Restoration Hardware is roofed in a Perennials linen, the Hans Wegner chairs are upholstered in a Brochier cloth, and the walnut cocktail desk and stool are custom; the rug is a vintage Tuareg, the ceiling beams are Douglas fir, and the room is painted in Benjamin Moore’s Super White.

The mattress in the main bedroom of a London townhouse is dressed in a custom cover constructed from a Dedar cloth, the letter-shaped stools are from Andrew Martin, and the partitions are sheathed in a Jim Thompson silk with hand-sewn pink silk borders; the drawing over the mantel is by Lluis Lleo, and the work over the bed, which is inscribed with Buddhist phrases, was bought in Singapore.

In a Manhattan household apartment, lounge chairs are upholstered in indestructible white leather and material of woven steel threads.

In an Ibiza house, local-limestone flooring lined in custom Spanish esparto rugs from Antonia Molina, walls in a sandy lime plaster, and a wood-beam ceiling set a rustic tone in the living room. Customized sofas by Atelier Tapissier Seigneur and curtains in a quilted Braquenié cloth; the Oeil cocktail table by Pierre Chapo is vintage, the lacquered-coral sculpture is by Maurizio Epifani, and the portray over the mantel is by Alex Katz.

In a mid-century Palm Springs residence, Louie, a French bulldog, relaxes in front of a custom cocktail desk by Joseph Jeup. The fireplacewall is unique.

In designer Christian Astuguevieille’s French residence, Astuguevieille designed the Afribaton chair, marble-topped table, hemp pedestal, Mira mirror, and sconce prototypes in the meeting room; the crystal chan- delier is from the early 20th century, and three of his 1992 glass sculptures in ultramarine blue fabric and bulrushes sit atop the 19th-century marble fireplace.

A hearth needs to be cozy, so you could be inclined to steer clear of a modern design for fear it’s going to look too chilly and stark—however that is a critical false impression. Positive, it could possibly undoubtedly learn that, and if that’s what you’re going for, more energy to you, however you do not have to sacrifice homey vibes within the identify of unpolluted lines. Let these fireplaces prove to you that modern is the transfer.

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