Geoausch

Tomorrow, we celebrate the hope that comes with the promises contained within the Christmas story.  I will also celebrate the hope that comes with remaining a fan of a team, even through the toughest of times.

Since my earliest memories, I have been a fan of SMU football. As a child, this was easy. The Mustangs fielded one of the most successful programs of the early 80’s. The NCAA will tell you that SMU “cheated” in their pursuit to be the best during this time period and they flexed their muscles on the SMU program to prove a point. In their eyes, the only small private school who should be allowed to pay and play with the “big boys” is and was Notre Dame and if any small private school tried to play by the same rules they would make an example of them and in 1987 this is exactly what they did, handing down the “death penalty” to the SMU football program.

Since the SMU “death penalty,” the NCAA has continued to show their hypocrisy. Several big name, outlaw programs have committed several violations and filled their rosters with players engaged in all kinds of criminal activities, but not one program has been threatened with the “death penalty.” It appears that the NCAA fears student athletes making money more than they do student athletes involved in criminal or otherwise nefarious activities.

The NCAA’s plan worked. The SMU football program has never fully recovered and other tainted programs have won national titles. Tomorrow, SMU makes their first bowl appearance in 25 years as they take on Nevada in the Hawai’i Bowl, but they still have miles to go before they return to the greatness of the glory days. However, for this Mustang fan, it feels like my faith and hope in this program has finally been rewarded. Win or lose, June Jones has laid the foundation for this program to continue to excel. It may be decades before SMU returns to the Top 10, but at least for now I have some tangible proof that hope eventually pays off.

I love pancakes! Indeed, they are my favorite breakfast food. While I usually refrain from buying pancakes at a fast-food restaurant, I was running late for work yesterday and really craving pancakes. I had no choice but to stop at a McDonald’s I pass on my walk from the parking garage to my office.

Out of respect to my health and my animal rights’ friends, I rarely eat at McDonald’s, but I do visit this particular McDonald’s on an almost daily basis for coffee. As such, the staff is very familiar with me.

I proceeded to order my pancakes and coffee and noticed only one pack of syrup in the bag . Keep in mind, an order of pancakes at McDonald’s consists of three pancakes–one pack of syrup will not cut it.

I asked for a second packet and was told it would cost me 27 cents for an extra packet. I glared at the manager, then at the lone syrup packet in my bag. I noticed a tear in the packaging and brought it to the manager’s attention. She offered to replace the packet and then offered to give me a second packet for–get this–25 cents. A whole 2 cents savings!

Again, I glared at the manager and said, “that is not good enough.” Her expression was if I asked her to give me a New York strip. I reminded her that I was a loyal customer and that they would lose far money by refusing to give me the syrup since I would end my daily coffee patronage. Finally, she relented and gave me the second package of syrup.

Has it really come to this? Is the recession so deep that McDonald’s must charge 27 cents for syrup? Is this really going to drive their food costs up?

Cowboys fans, including myself, expect “greatness.”

Over the years, we have been spoiled by one of the most successful sports franchises. We are not accustomed to being mediocre and we have a hard time accepting it when that may really be the case. So, we look for excuses.

The coach sucks. The quarterback isn’t serious enough. The owner’s ego gets in the way. We run too much. We throw too much. Etc.

Some of those statements may be true, but none of them address the team’s real issue–talent.  Simply put, the Cowboys are what their record indicates, a slightly better than .500 team.

Depending on how you look at it, this team is in the bottom portion of the top quarter of teams in the league or the top of the second quarter of teams in the league. To expect “greatness” out of this team, as presently constructed, is foolish.

Could another coach get more out of this team? Perhaps, but not much. Even Coach Landry or Jimmy Johnson would have struggled to win 10 or 11 games with this unit and as much as I love those two coaches, neither of them would have won a Super Bowl with this roster.

Even in the watered down version of today’s NFL, depth is vital to a title run. While the starting 11 on both sides of the ball match-up well with the top tier teams, it’s the lack of depth that brings this roster down. No where was this more evident than when DeMarcus Ware suffered his injury and was forced to leave the game. It’s impossible to fully replace Ware, but the gap between starter & backup at outside backer is so extreme on this team that it’s almost impossible to make any sustainable compensation for the loss.

We see this disparity at almost every defensive position. Without a doubt, the biggest difference between the Cowboys and the serious contenders is this disparity.

The good news is that the Cowboys are close enough to the contenders that they can enter the conversation with one good off-season. This begins with compiling a list of your core players to keep and a list of expendable parts and suitable replacements.

Let’s end the debate right now, Tony Romo is a legitimate championship caliber quarterback and Miles Austin and Roy Williams are your #1 & #2 receivers respectfully. It would be nice to add another great receiver through free agency. All is well on the tight end in front, Jason Witten is the best in the league and I’m convinced that Marty B will continue to develop.

On the offensive line, Flozell Adams’ skills as a lineman no longer outweigh the liability of his mental issues–he needs to go. I would recommend turning to free agency to find a suitable replacement and use our first round draft pick to add some depth behind the rest of the line.

In the backfield, I like what Marion Barber and Tashard Choice bring to the table, but I don’t believe either one can handle the load on their own. In spite of his ability to make “big plays,” I have not been that impressed with Felix Jones. Sure, he is fast, but the “big plays” have been few and far between. I think that his stock around the league is still high enough that you could snag a third or fourth round pick away from some unsuspecting team for his services and turn that draft pick into more offensive line depth.

On the defensive side of the ball, the most glaring weakness is at linebacker. When the Cowboys turn in their helmets and shoulder pads at the end of this season, I pray to God we don’t ever see Bobby Carpenter in a Cowboys uniform again. I have yet to hear anyone who covers this team justify his existence on the roster. In an ideal world, I would love to see us use our first round draft pick and get Alabama’s Rolando McClain. However, I doubt he will be around when the Cowboys pick and that’s why I recommended going for offensive line depth. I’m convinced that either in free agency or in the draft, we can find a more capable back-up and nickle backer than Carpenter. I think Brooking, Spencer, James and Ware are more than capable of being part of a championship caliber defense. The same goes for the front three.

In the secondary, depth is the biggest concern. Orlando Scandrick has taken a step back this year and Alan Ball, God love him, just doesn’t have what it takes to play the position at a high level in this league. This is another area I would focus on in the off season.

Finally, Wade Phillips has done about all he can do here. It’s time Jerry showed him to the door and thanked him for his service. On the way walking Phillips out of Valley Ranch, Jerry needs to stop by Jason Garrett’s office and hand him his walking papers as well. He is not the coach this team needs.

If you really want to find a common thread between the recent Cowboys teams that have struggled during the month of December look at the system. The Dallas Cowboys have NEVER won a playoff game playing a 3-4 defense. The fact that this team still uses it is blasphemous. Until they win a playoff game with the 3-4 defense, the possibility of a “3-4 curse” must be considered legitimate. Though it might set the franchise back another year in building towards a legitimate championship threat, I really do think Jerry Jones should consider courting a 4-3 coach and return this franchise to its defensive roots.

Be prepared to be beaten down by the sports media in this town continuing to talk about the “December swoon.” Be prepared to listen to them pour all the blame on Wade Phillips and question the toughness of this team. Be prepared to answer back with, “you know what, this team is playing just about the way they should.”

In a few weeks, we say goodbye to the aughts. It seems only fitting that we provide you, our readers, with our own “best of” lists. What better way to kick it off than with our “Best Albums of the Decade.”

For me, it’s been a decade of great discovery musically–one where I’ve opened myself to new artists and genres–and moved past some of my previous biases. The 1990’s were marked by great albums with huge commercial success. It seems like everyone had a copy of Ten, Nevermind and OK Computer. Times have changed and the manner in which we consume our music has evolved. Gone are the days where terrestrial radio dictates what we listen to and no longer do we go to our local music store to purchase our favorite CD’s.

Instead, we turn to the Internet–to download, share, listen and get recommendations. This has paved the way for artists who lack traditional commercial appeal to find their way into the home of every American.  Most of the albums on this list, never dominated the charts, but each one packed an emotional punch from beginning to end and provided the listener endless pleasure.

With that said, this selection process was not without a system. My iPod contains all 10 albums. I have carefully analyzed my listening stats for each album, averaging the ranking of all the songs on an album, using the iPod 5 star ranking system. In the event of a tie, I moved to the average number of listens per song for an album.

1.)    Lifted or The Story is in the Soil, Keep Your Ear to the Ground

Bright Eyes

Saddle Creek Records, 2002

Seattle played a major role in defining the music of the 1990’s and while no one city has dominated the music world like Seattle in the aughts, the closest thing we had was the Midwest scene in towns like Lawrence, Kansas, Omaha, Nebraska, and Columbia, Missouri.

Seattle’s Sub Pop Records introduced the world to Nirvana, arguably Seattle’s most influential band. Omaha’s Saddlecreek Records, introduced the world to Bright Eyes, arguably the most influential band in the Midwestern sound and possibly the defining sound of the 2000’s. Nirvana already had a loyal following prior to the release of Nevermind, but it was that album’s release that earned them mainstream success. Similarly, Lifted earned Bright Eyes, already a favorite among the indie crowd, a mainstream following.

No album of the decade captures the post-9/11 angst many Americans my age felt. Indeed, Lifted marked Conor Oberst’s first overt attempt to fuse his music with politics and his own unique brand of existential dread, as evidenced by the opening lines of the albums’ first song, “The Big Picture” (The picture is far too big to look at kid/ Your eyes won’t open wide enough and you are constantly surrounded by that swirling stream of what is and what was./Well, we’ve all made our predictions but the trust still isn’t out/So if you want to see the future, go stare into a cloud.).

These themes continue throughout the album, hitting emotional crescendos in songs like “Waste of Paint” and “Don’t Know When But a Day Is Gonna Come” and my personal favorite song of the decade, “Let’s Not Shit Ourselves (To Love and To Be Loved)”.

I first discovered Bright Eyes in 2001, at the end of a dark chapter in my life. A friend gave me a copy of Fevers and Mirrors and I listened to it religiously. I bought Lifted the day it was released and I credit it for keeping me sane through the majority of the Bush years.  I knew at that point the album was special, but it wasn’t until I began this project to compile the best albums of the decade that I realized just how special it was and remains.

2.)  The Moon & Antarctica

Modest Mouse

Epic Records, 2000

Modest Mouse achieved their greatest commercial success starting in 2004 with their release of Good New for People Who Love Bad News. However, this Seattle act has been rocking since 1993.  The Moon & Antarctica represents their most complete album with hardly any blemishes. Compared to their albums, The Moon is much more instrumental driven, featuring numerous memorable guitar riffs, some of which have permeated our popular culture. Nissan used the opening to “Gravity Rides Everything” in an ad campaign a few years back. With that said, Modest Mouse manages to avoid being superfluous with their music, never allowing their instruments to overshadow the deeper meaning of their songs. Indeed, their unique sound provides an ethereal backdrop for delivering a chilling, often heart wrenching message.

Though not a concept album by definition, the songs blend perfectly together. I divide the album into three parts and an epilogue. The first part begins with Track #1, “3rd Planet” and culminates with “Perfect Disguise.” Part Two  begins with “Tiny Cities Made of Ashes” and climaxes with “The Stars Are Projectors,” the most powerful song on the album. The third part begins “Wild Packs of Family Dogs” and ends with “Lives.” While “Life Like Weeds” and “What People Are Made Of” combine to form the perfect postscript.

3.)  Picaresque

The Decemberists

Kill Rock Stars, 2005

I was a little surprised at how well Picaresque scored when I started going through the numbers on my iPod. I knew the album would make my Top 10 list, but I didn’t remember how great this album is until I actually started going through it again. While the Top 2 spots are held down by albums full of melancholy, Picaresque is much more lively and fun. The Decemberists don’t shy away from dark subject matter, but beginning with the high-energy “The Infanta” on track 1 you get a totally different vibe. What sticks out most about the album, and can be found in most of The Decmberists work, is the tight narratives that hold the songs together. Frontman Colin Meloy is a master of the use of imagery within a song, the likes of which we have not seen since Paul Simon. As you listen to the songs, Meloy paints a vivid picture, so the experience becomes as much visual as audible. Some even remind us of some of the great writers of the English language. The first time I heard “The Mariner’s Revenge Song,” I could not help but think of Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner.” While the plots aren’t the same, the structure that both Coleridge and Meloy employed are similar.

If you want a small sample of this album’s greatness, I recommend “Eli, the Barrow Boy.” It is a perfect example of the imagery and narrative I discussed above and my personal favorite from the album.

4.)   Kid A

Radiohead

EMI, 2000

One album sure to be on every “best of the decade” list is Radiohead’s Kid A. Since it’s release, Radiohead fans and music fans alike have debated over the meaning of the album. The commonly held belief is that it is a concept album about the world’s first human clone, “Kid A.” Musically and stylistically, the album represented a break from the Radiohead of the 1990’s and defined the Radiohead sound of the aughts. The songs feature electronic sounds and vocal distortions, rarely used in the group’s first three CD’s, but that have been more common in their more recent work. I love Radiohead, but would never have the audacity to claim to be an expert on the band. I know they have a very loyal fan base and out of respect to that fan base I will refrain from commenting too much on the album. I don’t need to!  The album speaks for itself. I will say that “How to Disappear Completely” is my favorite Radiohead song and “Optimistic” is not too far behind.

5.)  Backspacer

Pearl Jam

Monkeywrench, 2009

This choice will not surprise many of who know me and understand my love of Pearl Jam. Simply put, the best  Pearl Jam album since No Code and the best album released by anyone in 2009. I doubt Backspacer will win over many new fans to the band, but Pearl Jam has a well established fan base and those fans, including myself, can see the growth this band has experienced over the years. Perhaps it’s the new President or maybe it’s being free of a major label and allowed to express their artistic freedom, but Eddie Vedder and the entire band seem almost happy for the first time in their career. Indeed, on the album’s firs track, “Gonna See My Friend”, a song about addiction, Vedder expresses a common theme for the album, “I’m gonna shake this thing/I wanna shake this pain before I retire.” For the past twenty years, Pearl Jam has rocked against the establishment with a youthful exuberance and proud ideology. While they remain true to those principles, it seems like they’ve learned, through experience, that in spite of the problems the world presents, there are many places to find a respite and some inner peace.

One of those places seems to be their own music. No longer trying to please a record executive, the band can make music they want to hear. Backspacer is much more up tempo and high energy than the band’s previous releases. It’s almost as if they’ve had all this energy stored, throughout the years, and finally have an outlet to express it.

Vedder also looks to love as a means to some inner peace. In “Amongst the Waves,” a song that traces the path of a relationship, Vedder writes, “if not for love I would be drowning/I’ve seen it work both ways, I’m up/Riding high among the waves/I can feel like I have a soul that has been saved.” On “Just Breathe”, we see Vedder adopt the acoustic style he favored for his recent solo work to carve out an old fashioned love song. They return to the sea analogy and more hints of love in the anthem, “Force of Nature”–the best song on the album.

6.)  Tennessee

Lucero

Madjack Records, 2002

“Alt-country” experienced a boom in popularity during the decade. From some of the early pioneers of the genre like Ryan Adams and the Old 97’s, to the new blood of bands like My Morning Jacket and Drive-By Truckers, the music permeated the landscape and found it’s way into other genres as well. One band in the genre that is often overlooked is Lucero. I first saw Lucero play a show around the time they released Tennessee. At the time, I was worried that I wouldn’t be able to find decent entertainment during a weekend trip to Little Rock and just happened to walk into a Lucero show. I had never heard of the band and did not know what to expect, but to this day I rank it as one of the best shows I have ever been to.  The band played festivals all over the country in support of Tennessee and earned a loyal following.  One of the best reviews I read regarding Tennessee upon its release compared Ben Nichols’ vocals to a “country” Kurt Cobain. Indeed, there is a grittiness to his voice and it is that distinctive voice that draws the listener into the lyrics. Once drawn in, the band takes the listener or a journey into dance halls, honky tonks and little roadside dives all across the United States. This is especially true with tracks like “Slow Dancing”, “Nights Like These” and “Here at the Starlite.” Since the release of Tennessee, Lucero has experienced some mainstream success, but still doesn’t get the respect of My Morning Jacket or Drive-By Truckers. Take it from me, they have done more for the country rock genre than anyone since Gram Parsons.

7.)  The Blueprint

Jay-Z

Roc-A-Fella/Island Def Jam, 2001

As a teen in the early 90’s, I became a huge fan of the rap and hip-hop of the time. I still count Dr. Dre’s The Chronic as one of the top 5 albums of any genre and I loved everything 2Pac put out, but when 2Pac died the genre seemed to fade as well. Instead of remaining true to telling stories of the streets, rap and hip-hop evolved into a philistine, pseudo-art form. It reminded me of the evolution of rock. In the 60’s and 70’s, rock was defined by truly talented artists writing great songs of political and social importance. In the 80’s, hair bands started hijacking the genre and rock went from fighting “the man” to one big party, full of booze, Aqua Net and strippers. When rap and hip-hop laid down their guns and picked up the bling, the music took a serious hit. Sure, it was easier for a suburban audience to consume, and thus more profitable, but it just wasn’t the same as the great music I experienced in middle school and high school.

For years, I refused to listen to any “new” rap or hip-hop, including some of Jay-Z’s earlier stuff, but when I first heard The Blueprint I heard an edge that had been missing from the genre for far too long.  Without a doubt, this is the best rap/hip-hop album released since the death of 2Pac. At the beginning of “The Ruler’s Back,” Jay-Z announces “what you about to witness is just my thoughts.” When I heard those words, I knew real hip-hop was back.

8,)  Dear Catastrophe Waitress

Belle & Sebastian

Rough Trade, 2003

If I had to use one word to describe this album it would be “fun.” At the end of the day, sometimes music needs to be fun. In Dear Catastrophe Waitress, Belle & Sebastian reaches back into the annals of music and channels the spirit of so many of the great “British invasion” bands. Catchy tunes and whimsical lyrics abound on this album, including the title track.

As a fan of classic rock, I simply love the Thin Lizzy inspired “I’m a Cuckoo.” The baseball fan in me laughs at the tongue and cheek humor found in “Piaza, New York Catcher.” No matter what life may throw my way, I can listen to this album and know that at the end I will be in  a much better mood. It may not be as great or artistic as some of their recordings from the 90’s and, yes, it was released at a point when their music was becoming far more commercial, but when you stack it up against the rest of the music of the decade, this one definitely lands in the Top 10.

9.)  Cassadaga

Bright Eyes

Saddle Creek, 2007

The second Bright Eyes album to make our list is a much more polished version than the first and finds Conor Oberst refining many of the styles he experimented with on Lifted, most notably the alt-country genre. Indeed, if you listen closely you can hear the influence of The Byrds’ Sweethearts of the Rodeo stage and Gram Parsons.

The pedal steel plays in the background, mixing beautifully with Oberst’s Dylan-like delivery of lyrics on “If the Brakeman Turns My Way”.  On “Four Winds”, Oberst puts an alt-country twist on William Butler Yeats’ “Second Coming”.  Perhaps the most moving of all the songs on the album is the haunting “Middleman,” a collection of beautifully played strings mixed  with the distant howling of a woodwind section creates a symphony of sorrow best enjoyed alone.In “I Must Belong Somewhere”, Oberst points a mirror directly at America, causing each of us to pause and question our society and culture–the sign of a true artist.

10.)  Fever to Tell

Yeah Yeah Yeahs

Interscope Geffen, 2003

I never got the chance to visit CBGBs. When I listen to Fever to Tell, I like to imagine that this is what it sounded like back in its prime. Lead singer Karen O is our generation’s Patti Smith and the music’s raw energy makes you want to jump out of your seat and move along with the beat. The album is best known for the single “Maps”, which received heavy radio play, but relatively speaking it’s a “weak” song when compared to the rest of the album. The one-two combination of “Rich” and “Date With the Night” gets the album off to a fast start, which continues up until “Maps” when the album takes a decidedly slower turn, not that it’s a bad turn. In fact, the closing trio of “Maps”, “Y Control” and “Modern Romance” caps the album off nicely.

Honorable Mentions

Lost Souls – Doves

Bleed American – Jimmy Eat World

You Are the Quarry – Morrissey

Fold Your Hands Child, You Walk Like a Peasant – Belle & Sebastian

Living in America – The Sounds

At Monday’s Wade Phillips’ press conference, CBS 11 sports reporter Steve Dennis asked the Cowboys’ coach if he considered his team “winners.” By virtue of owning a winning record, this Cowboys team is, by definition, a “winner.” Of course, “winning” can mean a lot of different things. Dennis posed this question to Wade Phillips to drive home a tired Dallas media talking point–the dreaded “December swoon.” While the Cowboys have enjoyed success September through November under Phillips’ watch, they have not performed well when the season really matters–December and beyond.

In and of itself, this is fine. The Dallas market is flooded with sports media personalities, some good and some bad. If a member of the media wants to talk about the same generic talking points, he has the right to do so, but it makes for very boring radio, TV or print. However, what makes Dennis’ question different is the pattern he has established for himself.

In the summer, he made our “Bottom 5 Dallas Sports Media Personalities,” where we described him as “loud, obnoxious, and pompous,” descriptions we stand by to this day. As part of the best TV sports team in the market, it appears that Dennis feels threatened by his compatriots and seeks to stand out anyway possible. He does this by making himself part of the story, which is exactly what happened with this one.

In addition to his duties at CBS 11, Dennis also hosts “The Keith Brooking Show” on Sunday mornings on their sister station KTXA 21. Somehow, footage of the taping for the upcoming episode was leaked to the media. In the opening, an upset Keith Brooking (Cowboys linebacker) confronts Dennis about his questioning of Wade at the Monday press conference. Evidently, Brooking and other members of the Cowboys team felt that Dennis’ question implied that their team was full of losers. Dennis handles himself very well and seeks to explain his question more thoroughly, but the entire clip I heard was extremely tense.

Tonight, I tuned into the 10 PM news on CBS 11 and when it was time for sports who do I see prancing around the Cowboys locker room but Steve Dennis. They framed it as a segment showing how the Cowboys team is rallying around their coach and using the media as motivation for a successful December, but again it appeared that Dennis was trying to make the story about himself.

I do not know Steve Dennis personally. He may be a great guy for all I know. I only know the Steve Dennis I see on TV and hear on the radio and when I see or hear that Steve Dennis, I scratch my head and ask, “who does Steve Dennis think he is?”  If I could pass along any advice to him, it would be this:

When people tune into a Wade Phillips press conference, they do so to hear Wade Phillips talk about the Cowboys, not to hear Steve Dennis.  When people tune into watch sports on the local news, they do so to catch the latest on their local teams, not to see the local reporter injecting himself into the center of a story. If Mr. Dennis wants to be the center of a program, get your own radio show or start your own blog. Until then, report the news and stay out of it.

For all your BCS related questions, click here.

For the next month, football will dominate water cooler and cocktail chatter. A lot of that talk will center around the BCS games. This year’s slate of BCS bowl games features Ohio State and Oregon in the Rose Bowl, Georgia Tech and Iowa in the Orange Bowl, Florida and Cincinnati in the Sugar Bowl, Boise State and TCU in the Fiesta Bowl and Alabama and Texas squaring off in the BCS National Championship Game. While Alabama and Texas will play for title, the Fiesta Bowl match-up of TCU/Boise State seems to be generating the most discussion.

Both teams enter the game undefeated and ranked in the top 10. The two teams faced each other last season in the Poinsettia Bowl, which turned out to one of the most exciting games of the 2008-2009 season. By all indications, this will be one hell of a game. However, most Fiesta Bowl talk focuses on the controversy rather than the game itself.

Both teams play in non-automatic qualifying conferences and both had much bigger aspirations heading into the BCS selection. As members of the non-automatic qualifying conferences, the knock against both TCU and Boise State is that they lack the strength of schedule of the teams from the six BCS affiliated conferences. Never mind the fact the Boise State posted a dominating victory over Oregon, who plays in BCS bowl game this season, and TCU posted three wins over three top 25 teams.

TCU and Boise argue that they are willing to play any team, any time, any where, but many traditional powers refuse to play them for fear of losing. They felt that the in the BCS they would be afforded the opportunity to play one of the traditional powers, at a neutral site, in a prime-time, made for national television environment.   TCU even had faint hopes that they could be selected to play for the national title, but at worst given a shot to play Florida, Georgia Tech or Iowa. Instead, TCU and Boise State were paired together–two non-automatic qualifiers squaring off in a meaningless game.

It reminds me of jobs where they require you to have experience before applying, but there is no way to get the experience when all the related jobs require experience. For example, in order for an actor to make a living, he or she must be a member of Actors’ Equity Association. Almost all professional theaters in the United States are Equity affiliated and you must be a member of the union in order to perform. In order to join the union, you must have performances in Equity houses under your belt. Of course, there are exceptions to these rules, just like TCU and Boise State are the exceptions in the BCS, but in most cases the rule apply.

In order for schools like TCU and Boise to prove that they are worthy of BCS bids and legitimate national title contenders they need to prove themselves against BCS schools. The BCS denied this opportunity to these two schools out of fear of the BCS affiliated schools being embarrassed by the non-automatic qualifiers.

Some experts feel that TCU and Boise State deserve each other. Colin Cowherd, one of ESPN’s generic radio personalities, made the statement on his Monday program that TCU and Boise State should be happy to just be invited to the BCS, that TCU had “cankles” and didn’t deserve a big time BCS bowl game because they didn’t sell out all of their home games.

This is obviously flawed logic. A team’s fan support is not an indicator of the quality of their program. If we extended this logic to the NFL then the New Orleans Saints and Minnesota Vikings, the top two teams in the NFC, should not be allowed the right to play in the Super Bowl even if they win the NFC. Both the Saints and Vikings are small market teams and have had trouble selling out home games over the years. Indeed, the Vikings feared they would have to blackout home games this season until they signed Brett Favre.

The BCS fears schools like TCU and Boise State having success, because the more success these programs have, the more irrelevant the BCS becomes.